Experiencing flow: Is doing it together better than doing it alone?

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Emotion, engagement and meaning in strong experiences of music performance (2012, background): “However, the notion of searching for meaning and something beyond oneself has two clear parallels in music performing: first, as a passage of self-discovery in terms of identity formation and, second, as a shared experience with co-performers and/or an audience (cf. Walker, 2010).”
The Varieties of Self-Transcendent Experience (2017, background): “However, one study showed that people enjoy experiencing flow with others more than alone, implying that it is not antithetical to social connection (Walker, 2010).”
Flow experience and team performance: The role of team goal commitment and information exchange (2013, unknown): “Flow in teams Many authors state that positive social interactions are particularly conducive to the flow experience (Jackson 1995; Lin and Joe 2012; Walker 2010).”
Benefits of choral singing for social and mental wellbeing: qualitative findings from a cross‐national survey of choir members (2012, background): “There is evidence to indicate that flow is more powerful in social situations compared to experiences of flow when alone (Walker, 2010).”