Auditory contributions to multisensory product perception
By Charles Spence, M. Zampini. 2006
147 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/b6a2c39b9e0c7bcbfc578b7bf9d346b12a1d62b5
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- L. Stafford
- Ed Agobiani
- M. Fernandes
- Alberto Gallace
- Charles Spence
Citations in the corpus
- Effects of noise and distraction on alcohol perception (2012, background): “The broader theory of multisensory perception is also supported by the present study, in that it is evidently not the case that taste perception exists solely in the gustatory/olfactory domain but has significant input from other modalities (Spence & Zampini, 2006).”
- Multisensory design: Reaching out to touch the consumer (2011, background): “…of Pringles may have as much to do with the sound that they make when we bite into them (see Zampini & Spence, 2004), while a key component of the sensory appeal of owning a Harley-Davidson comes from the distinctive sound that its exhaust makes (see Sapherstein, 1998; Spence & Zampini, 2006).”
- Noise and its impact on the perception of food and drink (2014, unknown): “see [41-43] for reviews).”
- Multisensory synesthetic interactions in the speeded classification of visual size (2006, background): “Interestingly, people are able to discriminate between objects of different sizes simply by hearing the sounds the objects make when they are dropped onto a surface (see, e.g., Carello, Anderson, & Kunkler-Peck, 1998; Spence & Zampini, 2006).”
- Eating with our ears: assessing the importance of the sounds of consumption on our perception and enjoyment of multisensory flavour experiences (2015, background): “I, for one, am convinced that the chocolate crackling sound is accentuated in the Magnum adverts [34,35].”