Bridging the Arts and Sciences: A Framework for the Psychology of Aesthetics
By Thomas Jacobsen. Leonardo: Journal of the International Society for the Arts, Sciences and Technology, 2006
224 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Visual Arts and Performing Arts
View Paper: https://www.semanticscholar.org/paper/aab46a1c2d6972a69a8303f7c01f248d70987883
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Helmut Leder
- Elvira Brattico
- Patrik Juslin
- Anjan Chatterjee
- Mari Tervaniemi
- Kaisu I. Krohn
- Mira Müller
- Eva Istók
In Experimental and Cognitive Psychology
- Helmut Leder
- Elvira Brattico
- Patrik Juslin
- Anjan Chatterjee
- Kaisu I. Krohn
- Mari Tervaniemi
- Mira Müller
- Eva Istók
In Visual Arts and Performing Arts
- Helmut Leder
- Anjan Chatterjee
- Patrik Juslin
- Kaisu I. Krohn
- Mari Tervaniemi
- Elvira Brattico
- Mira Müller
- Eva Istók
Citations in the corpus
- Next steps in neuroaesthetics: Which processes and processing stages to study? (2013, background): “(2011) have already shown how the use of EEG and very short presentation times might shed light on processes that explain such concepts (Jacobsen, 2006).”
- Aesthetic responses to music: A questionnaire study (2009, methodology): “Beyond the concepts of beauty and of being touched by music many more sets of concepts comprising affective phenomena, perception, and others form the basis for aesthetic processing (Jacobsen, 2006).”
- Neuroaesthetics: A Coming of Age Story (2011, background): “The hierarchical sequence of visual processing must be reflectedinvisualaesthetics(Chatterjee,2004a;forrelated models that also incorporate broader contextual and cultural factors, see Jacobsen, 2006; Leder, Belke, Oeberst, & Augustin, 2004)).”
- From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. (2013, background): “, Fechner, 1876), psychologists have generally avoided to study aesthetic responses (Jacobsen, 2006).”