The Artistic Dividend: Urban Artistic Specialisation and Economic Development Implications

By A. Markusen, Greg Schrock. 2006

402 citations recorded by the source corpus.

Subfields: Economics and Econometrics, Urban Studies, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/a042b88dc201c20a3d5c6a3c946e80329c45d4db

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Citations in the corpus

The city as innovation machine (2017, neutral): “Music is among the most highly concentrated of all activities (Adler, 2014; Agrawal, Catalini, & Goldfarb, 2011; Currid, 2007; Florida & Jackson, 2010; Florida, Mellander, & Stolarick, 2010, 2012; Markusen & Schrock, 2006; Storper & Christopherson, 1987).”
Inside the Black Box of Regional Development - human capital, the creative class and tolerance (2008, background): “Recent studies (Markusen and Schrock, 2006; Currid, 2007) note the role of artistic networks as conduits for the spread of new ideas and knowledge transfer across firms and industries.”
Cultural economy planning in creative cities: Discourse and practice (2013, background): “…the characteristics and needs of artists including affordable living and work space, incubating talent and providing networking opportunities, and directing financial support to smaller arts organizations rather than flagship cultural institutions (Jackson et al., 2006; Markusen and Schrock, 2006).”
Unrewarded careers in the creative class: The strange case of bohemian graduates (2010, background): “Markusen and Schrock (2006) highlight the need to use a narrower definitio of creative class (i.e. limited to artistic occupations) to understand the core dynamics of the creative sector and better estimate its contribution to local and regional development.”
Creative Cities, Creative Spaces and Urban Policy (2009, background): “This raises questions of the sustainability of creative cluster and SME-driven growth as a panacea for city and sub-regional economies (Pratt, 2004; Mommaas, 2004; Markusen and Schrock, 2005).”
How Art and Culture Happen in New York (2007, background): “Art and culture have been a big part of this shift, becoming important parts of economic development strategy (Clark, 2004; Florida, 2002a; Glaeser, Kolko, & Saiz, 2000; Markusen & Schrock, 2006; Molotch, 1996; Scott, 2000, 2005; Zukin, 1995).”
There Goes the Metro: How and Why Bohemians, Artists and Gays Affect Regional Housing Values (2010, background): “Markusen and Schrock (2006) describe an ‘artistic dividend’ through which arts and cultural activities increase the vibrancy and diversity of life in metropolitan areas and influence other industries.”
Creative Class and Regional Growth: Empirical Evidence from Seven European Countries (2007, background): “12 Some authors have criticized Florida in that his argument would rest on suggestive correlations rather than causality (e.g., Peck 2005; Markusen and Schrock 2006).”
Defining the Creative Economy: Industry and Occupational Approaches (2008, methodology): “Yet one third of all musicians in the United States work for religious organizations (Markusen and Schrock, 2006).”
Aging Baby Boomers and the Generational Housing Bubble: Foresight and Mitigation of an Epic Transition (2008, background): “Planners should also aim to attract younger home buyers by increasing local employment growth, marketing to the “creative class,” ( Florida, 2003 ) and building a cultural economy ( Currid, 2007 ; Markusen & Schrock, 2006 ).”
Placing the Creative Economy: Scale, Politics, and the Material (2006, background): “Indeed, a number of studies have highlighted the economic significance of creative (or c̀ultural') industries in late capitalism, documenting their contribution to employment, value-added production, and exports (Markusen and Schrock, 2006; Power, 2002; Pratt, 1997).”