Film-induced tourism: an incidental experience

By N. Macionis, B. Sparks. 2009

141 citations recorded by the source corpus.

Subfields: Marketing, Sociology and Political Science

View Paper: https://www.semanticscholar.org/paper/9a9cb8d9e76ed3c07887f6fbe9a5a75b6d202cf1

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Citations in the corpus

The impacts of immigrants and institutions on bilateral tourism flows (2016, background): “Notable contributions under this strand of the literature include the works of Beeton (2005); Butler (1990); Cornell (2012); Croy (2010); Edensor (2001); Kim and Richardson (2003); Macionis and Sparks (2009); Mordue (2009); Portegies (2010); Riley, Baker, and Van Doren (1998); Urry (1994).”
Motion Picture-Induced Visual, Vocal and Celebrity Effects on Tourism Motivation: Stimulus Organism Response Model (2014, background): “Travelers who are tempted by these motion pictures to visit the tourist attractions are classified as film-induced travelers (Macionis & Sparks, 2009).”
Applying a mixed method of quantitative and qualitative design in explaining the travel motivation of film tourists in visiting a film-shooting destination (2015, background): “In other words, filminduced tourism does motivate visitation to and tourist activities at film locations (Croy & Heitmann, 2011), but film tourism is just an incidental tourist experience of tourists to film-shooting locations (Croy, 2011; Macionis & Sparks, 2009).”
Audience involvement and film tourism experiences: emotional places, emotional experiences. (2011, background): “Thirdly, although there are some exceptions to the research on the film site tourist experiences (Beeton, 2005; Macionis & Sparks, 2009; Roesch, 2009), there is relatively little sustained research that has explored the understanding of film tourism experiences associated with TV programmes…”
Planning for Film Tourism: Active Destination Image Management (2010, background): “With films’ potential for personalisation and perceived credibility, the modified image is memorable, and retained much longer than advertisements (Riley and Van Doren, 1992; Macionis and Sparks, 2009).”
Perceived values of TV drama, audience involvement, and behavioral intention in film tourism (2018, methodology): “…is consistent with previous studies highlighting the fact that favorite characters and celebrities are at the core of an audience’s personal connection with media programs through continuous and simultaneous parasocial interaction, identification, and empathy (Frost, 2010; Macionis & Sparks, 2009).”