Cities, Clusters and Creative Industries: The Case of Film and Television in Scotland
By I. Turok. 2003
206 citations recorded by the source corpus.
Subfields: History, Urban Studies, Visual Arts and Performing Arts
View Paper: https://www.semanticscholar.org/paper/9a95f61cfaf75b165b0e41f5fe649e42a4011502
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Citations in the corpus
- (How) Do (Firms in) Clusters Create Knowledge? (2005, background): “Equally Turok (2003) places the emphasis away from the local or not question by showing, in a study of the Scottish film and TV industry, that institutional actors and government regulation can be centrally important to the placing and to the creative ability of clustered firms.”
- Unrewarded careers in the creative class: The strange case of bohemian graduates (2010, background): “4.1.3 Location of creative jobs: the role of London The creative economy is well-known to be a highly concentrated sector (Scott 2000) with specific local clusters (Pratt 2004, Turok 2003, Wu 2005) and a major presence in major conurbations and global cities (Olfert and Partridge 2008).”
- The Distinctive City: Pitfalls in the Pursuit of Differential Advantage (2009, background): “Their internal economies of scale fund the development of new products, strong brands, and global advertising (Scott, 2000; Turok, 2003).”
- Micro-geographies of creative industries clusters in Europe: From hot spots to assemblages (2015, unknown): “…according to the precision of the spatial and industrial dimensions, setting four categories 1 : a) Specific space and specific industry, e.g.: Turok 2003 for the TV and film industry in Scotland; Scott 2002 and De Propris & Hypponen 2008 for the film industry in Hollywood; Bahtelt 2005 for…”
- Creative industries in the netherlands: structure, development, innovativeness and effects on urban growth (2008, background): “It is well known that creative industries are often concentrated in (metropolitan) cities (Pratt 1997; Power 2003; Turok 2003; Power and Scott 2004; Reimer et al. 2008).”