The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox

By Jane Davidson. 2001

140 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Music

View Paper: https://www.semanticscholar.org/paper/89c1bd3f4f4c0655ec2c1b2165dec86b689d75d3

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In Cognitive Neuroscience

In Computer Vision and Pattern Recognition

In Music

Citations in the corpus

Seeing music performance: Visual inﬂuences on perception and experience (2005, background): “Davidson (1993, 1994, 1995, 2001; Davidson and Correia 2002) provided detailed analyses of visual aspects of performances and reported that listeners are often influenced by such accompanying information.”
The influence of physical movement on the perception of musical performance (2008, background): “Researchers have confirmed that performers’ use of body movement affects listeners’ perception of music expression (Clarke and Davidson, 1998; Davidson, 1993; Davidson, 1994; Davidson, 2001; Davidson and Correia, 2002).”
Musical creativity and the embodied mind (2018, unknown): “Similarly, research by Davidson (1993, 2001) has examined the expressive and communicative role played by the body in the context of performance (see also Clarke & Davidson, 1998).”
Observable indicators of flow experience: a developmental perspective on musical engagement in young children from infancy to school age (2005, background): “In the musical domain, the relationship between gesture and musical interpretation has been explored in examinations of adult musical performance, demonstrating idiosyncratic style and function (Davidson, 2001).”
Qualitative insights into the use of expressive body movement in solo piano performance: a case study approach (2007, background): “My previous work suggests that this may be the case in pop singing performance (Davidson, 2001, 2006), but of course in singing, some of the movements are direct illustrations of meanings from the lyrics.”
Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience (2009, background): “While other research has sought to quantify, analyze and describe musicians’ expressive body movements (Wanderley, Vines et al. 2005; Davidson 2001), that is not the focus of this paper.”
Music Performance Research at the Millennium (2003, background): “Davidson also suggested that learning how to present the self on stage is a critical variable for performers, referring to her own studies in this area (Davidson, 2001; Davidson and Coimbra, 2001).”