Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience

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Exploring relationships between pianists’ body movements, their expressive intentions, and structural elements of the music (2012, background): “The rationale behind studying piano performances is similar to that of Broughton and Stevens’ (2009), who were interested in the body movements of marimba players. Both instruments are limited in expressiveness (e.g., absence of vibrato effect) and have a relatively short decay time (Schutz, 2008). ”
Audiovisual integration of emotional signals from music improvisation does not depend on temporal correspondence. (2010, background): “Nevertheless, in line with the findings of Davidson (1993), as well as Broughton and Stevens (2009) on perceived expressiveness, Vines et al. (2006) showed that visual information affects perceived tension, and in some cases (over short durations of time) does so in a way similar to sound (as shown…”