A new map of Hollywood: the production and distribution of American motion pictures

By A. Scott. 2002

270 citations recorded by the source corpus.

Subfields: Economics and Econometrics, Urban Studies, Visual Arts and Performing Arts

View Paper: https://www.semanticscholar.org/paper/86c355a647c0faa32a93b91341faf64b4989eb2a

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Economics and Econometrics

1. H. Bathelt
2. A. Rodríguez‐Pose
3. M. Storper
4. A. Malmberg
5. T. Farole
6. P. Maskell
7. A. Scott
8. Martin Kenney

In Urban Studies

1. A. Scott
2. M. Storper
3. A. Rodríguez‐Pose
4. Chrissie Gibson
5. H. Bathelt
6. Lily Kong
7. T. Farole
8. A. Malmberg

In Visual Arts and Performing Arts

1. A. Malmberg
2. P. Maskell
3. Martin Kenney
4. Diana Crane
5. M. Storper
6. H. Bathelt
7. Chrissie Gibson
8. Lily Kong

Citations in the corpus

• Knowledges of the creative economy: Towards a relational geography of diffusion and adaptation in Asia (2006, background): “Much of the frontier research has been on major metropolitan areas in those two continents (e.g. Los Angeles, Manchester and Paris; see for example Scott, 2000; 2002; Florida, 2002).”
• Four models of the creative industries (2008, unknown): “See Scott (2002, 2006).”
• Micro-geographies of creative industries clusters in Europe: From hot spots to assemblages (2015, unknown): “…dimensions, setting four categories 1 : a) Specific space and specific industry, e.g.: Turok 2003 for the TV and film industry in Scotland; Scott 2002 and De Propris & Hypponen 2008 for the film industry in Hollywood; Bahtelt 2005 for the media industry in Leipzig; Lazzeretti et al. 2011…”
• Human geography and the institutions that underlie economic growth (2011, background): “A number of studies by geographers spatialize this notion, stressing the role of extra-local linkages for knowledge creation (cf. Grabher, 2002; Scott, 2002; Boschma, 2005).”
• Entrepreneurial Geographies: Support Networks in Three High-Technology Industries (2005, background): “…the literature has clearly noted the importance of local business services (Porter 1998; Bennett, Graham, and Bratton 1999; Muller and Zenker 2001; Scott 2002), it is remarkable that there have been few quantitative studies of the location of business services that support entrepreneurship (for a…”
• Temporary Clusters and Knowledge Creation: The Effects of International Trade Fairs, Conventions and Other Professional Gatherings (2004, background): “Case studies of permanent clusters have shown that critical knowledge transfers often do not result from local interaction but from strategic partnerships with outsiders (Grabher 2002b, Scott 2002, Powell et al. 2002, Owen-Smith and Powell 2004).”
• Cultural Industries: Product–Market Characteristics, Management Challenges and Industry Dynamics (2015, unknown): “67 Scott, M. (2012). Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals.”
• Localized learning revisited (2006, background): “Firms are thus not only embedded in regional innovation networks but also in social networks which are not defined regionally or by any other discrete spatial level (see also Grabher 2002b,c and Scott 2002).”
• Cultural-Products Industries and Urban Economic Development (2004, background): “In the past, multinationals based in the United States have led the race to command global markets for cultural products of all categories, but firms from other countries are now entering the fray in increasing numbers, even in the media sectors that have hitherto been considered the privileged pres”
• Cultural globalization and the dominance of the American film industry: cultural policies, national film industries, and transnational film (2014, background): “The system relies on extensive networks of regional offices in the USA and abroad, saturation marketing and distribution involving intense publicity campaigns and exhibition in many different theatres simultaneously (Scott 2002, p. 969).”
• The Next Wave of Globalization: Relocating Service Provision to India (2007, background): “…consumers in developed nations that set the fashion for most of the world’s goods and from the creative clusters such as Hollywood for media (Scott 2002), Silicon Valley for technology (Kenney and Burg 2000), Paris for couture, Boston for mutual funds, Northern Italy for a wide variety of…”
• Building global knowledge pipelines: The role of temporary clusters (2006, background): “Instead it has been shown that firms, for many different reasons, deliberately establish trans-local relationships (Grabher, 2002b; Scott, 2002; Powell, et al., 2002; Owen-Smith & Powell, 2004).”