The Social and Applied Psychology of Music

By S. O’Neill. 2011

277 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/682f341265acfa164efab01d123c7f6c13d222a5

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Citations in the corpus

The effects of music choice on task performance: A study of the impact of self-selected and experimenter-selected music on driving game performance and experience (2009, background): “A growing body of literature addresses the impact of music on a range of everyday activities from shopping (e.g., North & Hargreaves, 2008), to video game play (e.g., Zehnder & Lipscomb, 2006), driving (e.g., Dibben & Williamson, 2007), and exercise (e.g., Karageorghis & Terry, 1997).”
Noise and its impact on the perception of food and drink (2014, background): “Endnotes At least amongst those who are not put off from entering the establishment in the first place [91].”
Current challenges and visions in music recommender systems research (2017, background): “Several studies conducted on user personality characteristics support the conjecture that it may be useful to exploit this information in music recommender systems [70, 74, 87, 130, 147].”
The role of music in adolescent development: much more than the same old song (2013, background): “North and Hargreaves (2008) reviewed this literature and concluded that so-called ‘problem music’ (e.g., heavy metal, hip-hop, Goth) can be linked to more externalising behaviours in adolescence.”
Musical imagination: Perception and production, beauty and creativity (2012, background): “In chapter 10 of Musical Imaginations, my colleagues and I consider the notion of imaginative listening as a creative activity which is inextricably linked with and influenced by the social and cultural environments in which it takes place (Hargreaves, Hargreaves, & North, 2012).”
What makes music emotionally significant? Exploring the underlying mechanisms (2014, background): “Presumably, different aspects of the context determine which mechanisms are actually activated by influencing factors such as the music choice, the listener’s attention, and the functions of the music during specific activities (North & Hargreaves, 2008).”
Assessing the impact of the tableware and other contextual variables on multisensory flavour perception (2012, unknown): “, [5,6,50,51,52] for reviews; [3,4,53,54]).”
Music-listening in everyday life: Devices and choice (2015, methodology): “Other demographic characteristics may be related to how people interact with music also since, for instance, North and Hargreaves (2008) review evidence showing that technology adoption and music piracy are more common among groups that can be defined in terms of income and sex: such patterns might…”
On the stability and relevance of the exercise heart rate–music-tempo preference relationship (2014, unknown): “…the fact that tempo appears to be a strong determinant of music preference, given the information processing demands that are placed by high-intensity exercise in particular (Rejeski, 1985), future research might examine music complexity (how predictable it is; see e.g., North & Hargreaves, 2008).”
Individual music listening in workplace settings (2011, result): “This idea is also consistent with suggestions that noise at work can negatively impact on both physical and psychological wellbeing (North & Hargreaves, 2008; Warr, 1999).”
The impact of music festival attendance on young people’s psychological and social well-being (2011, background): “Sharing the same taste in music led to more positive appraisals of others and the desire to befriend them (North & Hargreaves, 2008): Packer and Ballantyne 171 Well [you can associate with] anybody.”
Store Atmospherics: A Multisensory Perspective (2014, background): “…this element of the store environment has been studied more than any other (e.g., see Bruner, 1990; Garlin & Owen, 2006; Herrington & Capella, 1994; North & Hargreaves, 2008, 2010; Spence, 2012b; Turley & Mil-liman, 2000; Yalch & Spangenberg, 1990; Zaltman & Puccinelli, 2000, for reviews).”