How to develop creative imagination?: Assumptions, aims and effectiveness of Role Play Training in Creativity (RPTC)
By Maciej Karwowski, Marcin Soszynski. 2008
143 citations recorded by the source corpus.
Subfields: Education, Experimental and Cognitive Psychology, Visual Arts and Performing Arts
View Paper: https://www.semanticscholar.org/paper/586b3640f86d4d8e2e9c41e890daa9dce32959ec
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Education
In Experimental and Cognitive Psychology
- Maciej Karwowski
- Izabela Lebuda
- James C. Kaufman
- R. Beghetto
- Xinfa Yi
- W. Meyer
- Baojun Wu
- Chunyan Duan
In Visual Arts and Performing Arts
- Maciej Karwowski
- James C. Kaufman
- Darya L. Zabelina
- Chaoying Tang
- C. Byrge
- Paul J Silvia
- R. Reiter‐Palmon
- John Baer
Citations in the corpus
- Mind full of ideas: A meta-analysis of the mindfulness–creativity link (2016, background): “It was demonstrated previously that the kind of creativity training that promotes not only awareness and imagination but also mindfulness-related skills is effective (Karwowski & Soszyński, 2008).”
- Embodied creativity training: Effects on creative self-efficacy and creative production (2015, background): “Examples of embodied creativity training programs include drama education (Hui & Lau, 2006; Lin, 2010), creative drama (Karakelle, 2009) and role play training (Karwowski & Soszynski, 2008).”
- Increasing Students' Scientific Creativity: The “Learn to Think” Intervention Program (2013, background): “…imagination factors with the students’ imagination characteristics (Dryden, 2004; Trotman, 2008), and devises many special activities, which are designed to treat training of creative scientific imagination as a core, and requires varying degrees of imagination (Karwowski & Soszynski, 2008).”