Absolute pitch in infancy and adulthood: the role of tonal structure
By Jenny R. Saffran. 2003
91 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Developmental and Educational Psychology
View Paper: https://www.semanticscholar.org/paper/58412ff21c8e45f4e8f6156188d9726dbc0c3092
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Marc D. Hauser
- Josh H. McDermott
- Erin Mcmullen
- Jenny R. Saffran
- Aniruddh D. Patel
- Fiery Cushman
- Joshua D. Greene
In Developmental and Educational Psychology
- Marc D. Hauser
- Josh H. McDermott
- Erin Mcmullen
- Jenny R. Saffran
- Nicole M. McNeil
- Morten H. Christiansen
- N. Chater
- Patricia K. Kuhl
Citations in the corpus
- Music and Language: A Developmental Comparison (2004, background): “No evidence has yet been provided that infants use similar information in responding to musical stimuli (though see Saffran, 2003b for preliminary evidence that 8-month-old infants treat tonal and atonal materials differently).”
- THE ORIGINS OF MUSIC: INNATENESS, UNIQUENESS, AND EVOLUTION (2005, result): “Consistent with this notion, some evidence suggests that infants rely more on absolute pitch than do adults (Saffran & Griepentrog, 2001; Saffran, 2003), although infants seem to readily hear the relative pitch sequences that define a melody’s contour (Trehub et al.”