A study of colour emotion and colour preference. Part III: Colour preference modeling
By L. Ou, M. Luo, A. Woodcock, A. Wright. 2004
351 citations recorded by the source corpus.
Subfields: Experimental and Cognitive Psychology, Social Psychology
View Paper: https://www.semanticscholar.org/paper/550b1eee3da45d21532ffd6752e3979d20453ef2
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Experimental and Cognitive Psychology
In Social Psychology
- Stephen E. Palmer
- Karen B. Schloss
- J. Sammartino
- P. Woolner
- Steven I. Higgins
- E. Hall
- C. McCaughey
- Kate Wall
Citations in the corpus
- Manifold preserving edit propagation (2012, methodology): “We compute (ti − rki) 2 as the Euclidean distance in the color mood space [Ou et al. 2004].”
- A sound foundation? What we know about the impact of environments on learning and the implications for Building Schools for the Future (2007, background): “The existence of different preferences for particular colours has been suggested between males and females (Rosenstein, 1985; Radeloff, 1990; Khouw, 1995; Read et al., 1999), although other writers argue there is no difference in colour preference between genders (Ou et al., 2004 a, b, c).”
- Visual aesthetics and human preference. (2013, methodology): “…harmony in terms of a musical analogy: Nearly everyone would agree that Mozart’s music is more harmonious than Stravinsky’s, and yet some people prefer Stravinsky’s music to Mozart’s whereas others prefer Mozart’s to Stravinsky’s (see also Albers 1971, Ou et al. 2004, Whitfield & Wiltshire 1990).”
- A cross‐cultural comparison of colour emotion for two‐colour combinations (2012, background): “Like/dislike has been identified as an evaluative dimension of colour emotion, also regarded as a colour preference scale.(21,30) Observers”
- Affective image classification using features inspired by psychology and art theory (2010, background): “The emotional impact of color and color combinations has been investigated from the point of view of artists [15], psychology [26], color scientists [23] and marketing agents.”