How does music evoke emotions? Exploring the underlying mechanisms.
By Patrik Juslin, Simon Liljeström, Daniel Västfjäll, L. Lundqvist. 2010
198 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/478d51e43d6079568f30ebbb8782bfa286ad98e4
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- Elvira Brattico
- L. Harmat
- Marcus T. Pearce
- Patrik Juslin
- Petri Laukka
- Tuomas Eerola
- Simon Liljeström
- William Forde Thompson
Citations in the corpus
- From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. (2013, background): “The above account presumes that preference, emotion, and aesthetic judgment are independent to some degree (for a discussion, see Juslin et al., 2010, pp. 634-637).”
- What makes music emotionally significant? Exploring the underlying mechanisms (2014, background): “This sheet purported to capture the mechanisms that had occurred and consisted of eight simple questions, each targeting one of the mechanisms in the BRECVEM framework (Juslin et al., 2010) plus appraisal.”
- The neuroaesthetics of music. (2013, methodology): “Drawing on proposals by Brattico, Bogert, and Jacobsen (in press); Juslin et al. (2010); Sloboda (2010); Hargreaves and North (2010); and Leder et al. (2004), we define an aesthetic experience of music as one in which the individual immerses herself in the music, dedicating her attention to…”
- Mental Health Smartphone Apps: Review and Evidence-Based Recommendations for Future Developments (2016, unknown): “Music can be a powerful tool for evoking emotion [159].”