Affective reactions to acoustic stimuli.
By Margaret M. Bradley, Peter J. Lang. Psychophysiology, 2000
1,033 citations recorded by the source corpus.
Subfields: Experimental and Cognitive Psychology, Social Psychology
View Paper: https://www.semanticscholar.org/paper/41a23b061551d359967ab2214b6703c5725d4e89
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Experimental and Cognitive Psychology
- Tuomas Eerola
- Jean Decety
- Marjolein D. van der Zwaag
- Joyce H. D. M. Westerink
- E. L. van den Broek
- Iris B. Mauss
- Claus Lamm
- Heather C. Lench
In Social Psychology
- Claus Lamm
- Jean Decety
- C. Daniel Batson
- Tuomas Eerola
- Iris B. Mauss
- Lisa Feldman Barrett
- Michael D. Robinson
- John T. Cacioppo
Citations in the corpus
- Reconsidering the Evolution of Nonlinguistic Communication: The Case of Laughter (2003, result): “This interpretation is consistent with finding that infant crying is routinely “grating” and “distressing” (Zeskind & Lester, 1978), and has marked impact on listener arousal ( Bradley & Lang, 2000 ).”
- Pupil size variation as an indication of affective processing (2003, background): “The arousal dimension reflects the intensity of either appetitive or aversive systems (Bradley and Lang, 2000; Lang, 1995; Lang et al., 1993).”
- Multiple Arousal Theory and Daily-Life Electrodermal Activity Asymmetry (2016, background): “…including dimensional and continuous, categorical and discrete, appraisal-driven, consisting of action tendencies, socially constructed, or comprising core affect together with experience-driven influences, the concept of emotion has included some kind of capacity for physiological arousal.”
- The Impact of Music on Subjective and Physiological Indices of Emotion While Viewing Films (2005, background): “Bradley and Lang (2000a) suggested that short (6 s) nonmusical acoustic stimuli are effective in influencing both subjective and physiological indices of valence and arousal.”
- Negative arousal amplifies the effects of saliency in short-term memory. Emotion, 12, 1367-1372. (2017, background): “Twenty highly arousing negative sounds and 20 neutral sounds from the International Affective Digital Sound system (Bradley & Lang, 2000, 2007) were presented via headphones.”
- Analysis of Neurophysiological Reactions to Advertising Stimuli by Means of EEG and Galvanic Skin Response Measures (2009, neutral): “…Greenwald, Bradley, & Hamm, 1993), subliminal priming (de Groot, 1996; Dimberg et al., 2000; Rotteveel, de Groot, Geutskens, & Phaf, 2001), sounds (Bradley & Lang, 2000; Dimberg, 1990), words (Hietanen, Surakka, & Linnankoski, 1998), and imagery (Schwartz, Fair, Salt, Mandel, & Klerman, 1976).”
- Phasic Emotional Reactions to Video Game Events: A Psychophysiological Investigation (2006, background): “In addition, increased activity at the orbicularis oculi (periocular) muscle area has been associated with positively valenced high-arousal emotions (Bradley & Lang, 2000; Ravaja, Saari, Kallinen, & Laarni, 2006; Witvliet & Vrana, 1995).”
- Enhanced memory for emotional material following stress-level cortisol treatment in humans. (2001, background): “…or unpleasant on the valence scale were remembered more often than neutral pictures (Bradley et al., 1992), but this effect was stronger for highly arousing pictures, and arousal tended to be a better predictor of memory performance than did valence (Bradley et al., 1992; Bradley and Lang, 2000).”
- Measures of emotion: A review (2009, positive): “For example, HR decreases can co-occur with increases in sympathetic activity as assessed by other ANS measures (Bradley & Lang, 2000b; Lang et al., 1997; Libby, Lacey, & Lacey, 1973).”
- Contributions of Psychophysiology to Media Research: Review and Recommendations (2004, neutral): “…occurring sounds (e.g., screams, erotica, bombs), semantically negative spokenwords,andvocalexpressionsofanger, compared topositivestimuli (Bradley & Lang, 2000; Hietanen, Surakka, & Linnankoski, 1998; Wexler, Warrenburg, Schwartz, & Janer, 1992); however, these negative and positive…”
- Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres (2011, methodology): “3 For instance, in Gomez and Danuser ( 2004 ), graphical and non-verbal Self-Assessment Manikin (SAM, Bradley & Lang, 2000 ) was used to collect the stimulus evaluations.”
- Toward a theory of semantic representation (2009, result): “In general terms, this result is compatible with a motivational model of a¤ective states as proposed by Lang and colleagues (Bradley and Lang 2000; Lang et al. 1990) proposing that emotion-evoking stimuli are motivationally relevant and that they lead to rapid modification of behaviour.”
- Facial and vocal expressions of emotion. (2003, background): “…laced with cognition (Scherer 2001, Smith & Kirby 2001), with a looser, more malleable and context-dependent relation among the components (Bradley & Lang 2000b) and with a role for broad primitive affective dimensions such as pleasure-displeasure and activation (Russell & Feldman Barrett…”