From mimesis to catharsis: Expression, perception, and induction of emotion in music

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From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. (2013, background): “The notion of communication has been fairly controversial amongst music theorists (for a discussion, see Juslin, 2005b), but evidence from survey studies strongly suggest that many performers and listeners do conceive of music as a form of communication (Juslin & Laukka, 2004; Lindström et al.,…”
Towards a holistic model of functions of music listening across cultures: A culturally decentred qualitative approach (2012, background): “The emotional domain receives attention in studies about emotions perceived in music, emotions and physical reactions induced through music and emotions expressed through music (Juslin, 2005; Juslin & Laukka, 2004; Nawrot, 2003).”
Emotional reactions to music in a nationally representative sample of Swedish adults (2011, methodology): “The musical variables involved in the expression and perception of emotions are fairly well mapped in previous research (for a review, see Juslin, 2005), but the variables that induce emotions in listeners are less understood.”