Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts
By J. Tooby, L. Cosmides. 2001
275 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology
View Paper: https://www.semanticscholar.org/paper/1f10c1a173cb07c425fb1e268cff60cd9b98ab0b
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Kristen A. Lindquist
- Lisa Feldman Barrett
- Hedy Kober
- Tor D. Wager
- Eliza Bliss-Moreau
- Paul Hekkert
- E. Tan
- H. Clark Barrett
In Experimental and Cognitive Psychology
- Kristen A. Lindquist
- J. Tooby
- L. Cosmides
- Hedy Kober
- Peter Carruthers
- Eliza Bliss-Moreau
- H. Clark Barrett
- Paul Hekkert
Citations in the corpus
- Design aesthetics: principles of pleasure in design (2006, background): “Since our emotional experience of products can also very well be explained by such an appraisal process (see Desmet & Hekkert, 2002), understanding this process holds a key to ‘designing for emotion’.”
- The handbook of evolutionary psychology. (2015, unknown): “1999a, 199%, 1999c, 2003a; Tooby & Cosmides, 2001; E. O. Wilson, 1998).”
- Resolving the debate on innate ideas: Learnability constraints and the evolved interpenetration of motivational and conceptual functions (2005, background): “…representations (e.g., from generalization along psychophysical dimensions; from the backward derivation of valuation of instrumentally useful intermediate steps to a primarily valued goal; for an analysis of various aesthetic activities as valuation processing, see Tooby & Cosmides, 2001).”
- The Innate Mind: Structure and Contents (2005, background): “…representations (e.g., from generalization along psychophysical dimensions; from the backward derivation of valuation of instrumentally useful intermediate steps to a primarily valued goal; for an analysis of various aesthetic activities as valuation processing, see Tooby & Cosmides, 2001).”
- Entertainment is Emotion: The Functional Architecture of the Entertainment Experience (2008, background): “The account diminishes the explanatory power of the proposal from Steen and Owens (2001) and Tooby and Cosmides (2001), implying there is no limitation to paradigm scenarios other than relevance for survival in a very broad sense.”
- The Theoretical Foundations of Evolutionary Psychology (2015, background): “Accordingly, adaptations can be conceptualized as operating in two different modes (Cosmides & Tooby, 2000a; Tooby & Cosmides, 2001).”
- The brain basis of emotion: A meta-analytic review (2012, background): ““Emotions of the beautiful” are discussed in Biederman and Vessel (2006), Dorfman et al. (2006), Perlovsky (2002; 2006c; 2010b; 2010a), Tooby and Cosmides (2001), and in Silvia (2005).”
- Openness to Experience, Non-Conformity, and the Preference for Abstract Art (2004, background): “What people find “beautiful” is not arbitrary, but rather has evolved over millions of years of hominid sensory, perceptual, and cognitive evolution (Aiken, 1998; Barrow, 1995; Coss, 1968; Dissanayake, 1988, 1992; Feist, 2001; Miller, 2000; Orians & Heerwagen, 1992; Tooby & Cosmides, 2001).”
- Maternal Singing Modulates Infant Arousal (2003, background): “According to Tooby and Cosmides (2001), many seemingly non-utilitarian activities promote fitness-enhancing changes in the brain.”