Capitalism, cities, and the production of symbolic forms
By A. Scott. 2001
229 citations recorded by the source corpus.
Subfields: Museology, Urban Studies, Visual Arts and Performing Arts
View Paper: https://www.semanticscholar.org/paper/0fcacc118e702e74285a04bdf597bec138a84c9d
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Citations in the corpus
- Video games production networks: value capture, power relations and embeddedness (2006, background): “This is supported by the work of Scott (1997, 1999, 2000a, 2000b, 2001) on several cultural industries, who claims that there is a symbiotic relationship between place, culture and economy.”
- Cultural-Products Industries and Urban Economic Development (2004, background): “All of this suggests that a tight interweaving of place and production system is one of the essential features of the new cultural economy of capitalism (Scott 2001a).”
- The Competitive Foundations of Localized Learning and Innovation: The Case of Women’s Garment Production in New York City* (2002, background): “…of skills and resources that can constitute a distinctive local capability within a “global” marketplace (Maskell and Malmberg 1999) and by enabling the rapid circulation of information on market trends and new design innovations that are demanded by a cultural economy (Jameson 1990; Scott 2001).”
- Creative industry clusters in Shanghai: a success story? (2014, background): “…have been deemed beneficial not just for their real estate (regeneration) effects or their direct economic outputs (though these can be significant) but for their stimulation of a wider ‘creative milieu’ or ‘ecosystem’ (Scott 2001, 2007, 2008, Hutton 2006, 2010, Mommaas 2009, Van Heur 2010).”
- Creative Cities, Creative Spaces and Urban Policy (2009, background): “The importance of consumption in sustainable new economies, although apparent (Fine and Leopold, 1993; Scott, 2001), receives least attention in either policy or research, in contrast to the emphasis on production and infrastructure (Figure 3).”
- A new modernity? (2006, background): “Although the sector is dominated by some of the largest global conglomerates, it is also characterized by clusters of small, dynamic, highly innovative companies organised in dense networks with a high premium on human input (Scott, 2001).”
- A new map of Hollywood: the production and distribution of American motion pictures (2002, background): “For one thing, as I have argued elsewhere (SCOTT, 2001), new and revivified of relationships.”