Participatory Discrepancies and the Perception of Beats in Jazz

By M. Butterfield. 2010

94 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Signal Processing

View Paper: https://www.semanticscholar.org/paper/e0838cdb975281d3456b1340c677e736ab259091

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Michael J. Hove
2. Jan Stupacher
3. Matthew E. P. Davies
4. Pedro Silva
5. Fabien Gouyon
6. Guy Madison
7. Scott S. Wiltermuth

In Computer Vision and Pattern Recognition

1. Matthew E. P. Davies
2. Guy Madison
3. Pedro Silva
4. Fabien Gouyon
5. Michael J. Hove
6. Jan Stupacher

In Signal Processing

1. Matthew E. P. Davies
2. Guy Madison
3. Pedro Silva
4. Fabien Gouyon
5. Michael J. Hove
6. Jan Stupacher

Citations in the corpus

• Audio Features Underlying Perceived Groove and Sensorimotor Synchronization in Music (2016, background): “Energy in low frequency bands is likely associated with a strong presence of bass drum and bass, instruments that predominantly drive musical groove (Butterfield, 2010; Iyer, 2002; Keil, 1995; Pressing, 2002).”
• THE EFFECT OF MICROTIMING DEVIATIONS ON THE PERCEPTION OF GROOVE IN SHORT RHYTHMS (2013, background): “As part of an analysis of microtiming in Jazz drumming Butterfield (2010) suggested that systematic deviations are used for expression, but only sparingly and in the context of near-isochronous playing.”