A do re mi encore: A closer look at the personality correlates of music preferences.

By R. Zweigenhaft. 2008

129 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Music

View Paper: https://www.semanticscholar.org/paper/cca280804a3e65b3cef8a328391771d36edb307f

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Paul J Silvia
2. Emily C. Nusbaum
3. Roger E. Beaty
4. B. Monteiro
5. Claudia Mehlhorn
6. Boris De Ruyter
7. Alexander Langmeyer
8. Angelika Guglhör-Rudan

In Experimental and Cognitive Psychology

1. Emily C. Nusbaum
2. Paul J Silvia
3. Roger E. Beaty
4. B. Monteiro
5. Claudia Mehlhorn
6. Boris De Ruyter
7. Alexander Langmeyer
8. Angelika Guglhör-Rudan

In Music

1. B. Monteiro
2. Claudia Mehlhorn
3. Boris De Ruyter
4. Alexander Langmeyer
5. Angelika Guglhör-Rudan
6. Christian Tarnai
7. Thomas Schäfer
8. Peter Gregory Dunn

Citations in the corpus

• Shivers and Timbres (2011, methodology): “Past work, for example, shows that people high in openness prefer genres within the Reflective and Complex domain (Rentfrow & Gosling, 2003; Zweigenhaft, 2008), and these types of music may more effectively create chills by virtue of their structural and dynamic features (Grewe et al., 2007; Grewe…”
• The Song Is You (2016, methodology): “…to psychological constructs (e.g., Delsing et al., 2008; Dunn et al., 2011; George et al., 2007; Langmeyer, et al., 2012; Ren-tfrow & Gosling, 2003; Zweigenhaft, 2008), and considering the comparatively large sample size used, the correlation estimates we observed should be quite stable…”
• Can personality traits predict musical style preferences? A meta-analysis (2017, background): “…agreeableness, and conscientiousness (Delsing et al., 2008; Rentfrow & Gosling, 2003) and a negative association with openness to experience (Rentfrow & Gosling, 2003; Tekman, 2009; Zweigenhaft, 2008), while Tekman (2009) did not find an association with either agreeableness or conscientiousness.”
• What Do Music Preferences Reveal About Personality? A Cross-Cultural Replication Using Self-Ratings and Ratings of Music Samples (2012, background): “, 2007; Zweigenhaft, 2008) and weak correlated with U&C (see Rentfrow & Gosling, 2003; George et al., 2007; Zweigenhaft, 2008) as most other studies report.”
• Toward a better understanding of the relation between music preference, listening behavior, and personality (2012, methodology): “mainly grounded in research that has related personality and music preferences (e.g., Arnett, 1992; Rentfrow & Gosling, 2003; Zweigenhaft, 2008).”
• You Are What You Listen To: Young People's Stereotypes about Music Fans (2009, background): “…& Ballard, 1999); and individuals who perceive themselves as creative and curious enjoy listening to complex and sophisticated music (e.g. classical and jazz music) more than conventional styles of music (e.g. pop music; Rentfrow & Gosling, 2003; Rentfrow & McDonald, in press; Zweigenhaft, 2008).”