Deeper than reason : emotion and its role in literature, music, and art

By Jenefer M. Robinson. 2005

558 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology

View Paper: https://www.semanticscholar.org/paper/c5dce678065802043b5a4321f4f3e0b1935fc3ce

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In Cognitive Neuroscience

In Experimental and Cognitive Psychology

Citations in the corpus

Emotional reactions to music in a nationally representative sample of Swedish adults (2011, background): “With regard to feeling moved, one possible explanation is that this expression mainly refers to being “affected emotionally” without specifying the precise emotion (Robinson, 2005).”
From everyday emotions to aesthetic emotions: towards a unified theory of musical emotions. (2013, background): “Robinson (2005) argued that this mechanism has limited application, since “it applies only to music that sounds like vocal expression” (p. 388).”
Music as an emotion regulation strategy: An examination of genres of music and their roles in emotion regulation (2019, background): “…and philosophers have long been interested in the emotional qualities of music (e.g., Dewey, 1934; Eerola & Vuoskoski, 2013; Konečni, 2005; Robinson, 2005; Tolstoy, 1898/1962; Västfjäll, 2002) as well as the effect of music on emotions (Gross, 1998; Juslin & Lakka, 2004; Sloboda & O’Neil,…”
The neuroaesthetics of music. (2013, background): “In defining and delimiting the central questions of a neuroaesthetics of music, it will be profitable to examine the philosophical literature of musical aesthetics (e.g., Carroll et al., 2011; Robinson, 2005) and research in empirical aesthetics (e.g., Berlyne, 1971; Wundt, 1874).”
On the Embodied Neural Nature of Core Emotional Affects (2005, background): “Such findings fit nicely with a naturalistic views of emotions that are resonant with more humanistic cognitive perspectives (Robinson, 2005).”
Anger, disgust, and the negative aesthetic emotions: Expanding an appraisal model of aesthetic experience. (2007, background): “A recent model of aesthetic emotions (Silvia, 2005a, 2005b) connects emotional responses to art to the cognitive processes that undergird emotions (see Robinson, 2005, for a similar approach).”