Play it again Sam: Repeated exposure to emotionally evocative music polarises liking and smiling responses, and influences other affective reports, facial EMG, and heart rate
By C. Witvliet, Scott Vrana. 2007
204 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Music
View Paper: https://www.semanticscholar.org/paper/c3d58e86fcba60fa36eb298befcb9a560665928e
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Tuomas Eerola
- Patrik Juslin
- Petri Laukka
- Jonna Vuoskoski
- Swathi Swaminathan
- E. G. Schellenberg
- Daniel Västfjäll
- Simon Liljeström
In Experimental and Cognitive Psychology
- Tuomas Eerola
- Marjolein D. van der Zwaag
- Joyce H. D. M. Westerink
- E. L. van den Broek
- Jonna Vuoskoski
- Petri Laukka
- Patrik Juslin
- Swathi Swaminathan
In Music
- Patrik Juslin
- Tuomas Eerola
- Petri Laukka
- Jonna Vuoskoski
- E. G. Schellenberg
- Simon Liljeström
- Daniel Västfjäll
- L. Lundqvist
Citations in the corpus
- A comparison of the discrete and dimensional models of emotion in music (2011, background): “In recent years, two-dimensional models of emotion have gained support among music and emotion researchers (e.g., Gomez & Danuser, 2004; Schubert, 1999; Withvliet & Vrana, 2006).”
- The face of fluency: Semantic coherence automatically elicits a specific pattern of facial muscle reactions (2009, background): “1 Most recently, Witvliet and Vrana ( 2007 ) used repeated exposure to induce high processing fluency for pieces of positive and negative valenced music.”
- Current Emotion Research in Music Psychology (2015, background): “…measures provide evidence that music induces changes in emotional valence, although facial electromyography (EMG) reveals that happy sounding music induces more zygomatic (smiling) activity compared to sad sounding music (Khalfa, Roy, Rainville, Dalla Bella, & Peretz, 2008; Witvliet & Vrana, 2007).”
- What makes music emotionally significant? Exploring the underlying mechanisms (2014, background): “In accordance with the multi-component view of emotions (Oatley, Keltner, & Jenkins, 2006), music may influence feelings (Pike, 1972), expressions (Witvliet & Vrana, 2007), psychophysiological reactions (Krumhansl, 1997), brain activation (Brown, Martinez, & Parsons, 2004), action tendencies (Fried…”
- Emotional and psychophysiological responses to tempo, mode, and percussiveness (2011, background): “This is in line with literature that shows that psychophysiological changes relate to musically induced emotions (Baumgartner, 2006; Nater et al., 2006; Nyklíček et al., 1997; Witvliet & Vrana, 2007).”
- Emotional reactions to music in a nationally representative sample of Swedish adults (2011, background): “…2001), physiological response (Gomez & Danuser, 2007), activation of cortical as well as subcortical brain regions previously associated with emotion (Blood & Zatorre, 2001), expression of emotions (Witvliet & Vrana, 2007), action tendency (Fried & Berkowitz, 1979), and regulation (Becker, 2004).”
- ASCERTAIN: Emotion and Personality Recognition Using Commercial Sensors (2018, background): “presented in [56] notes a connection between familiarity, liking and the amount of smiling while listening to music.”