Pragmatics of Taste

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Misfits, Mavericks and Mainstreams: Drivers of Innovation in the Creative Industries (2011, background): “Similarly, Patriotta and Hirsch (2016) see conventions as institutionalized norms specifying rights and obligations, regulating the artist–audience relationship. The conventions of the art form not only structure the understanding of those who engage in or consume it, but also inform its production ”
Market technologies and the pragmatics of prices (2007, background): “15 The problem of volatility at close (in Paris and elsewhere) has been treated at length in the literature: see Hillion and Suominen (2004) for an analysis addressing explicitly the situation at the Paris Bourse. 16 The Paris Bourse hosted an international conference on the quality of financial mar”
An Introduction to Market Devices (2007, background): “…2000, 2001), that have examined practical operations of testing, critique and verification (Bessy and Chateauraynaud, 1995; Chateauraynaud, 2004; Hennion, 2004; Maurer, 2005; Millo and Lezaun, 2006; Power, 1997; Teil and Muniesa, 2006), that have explored how economic things become calculable…”