Experiencing Groove Induced by Music: Consistency and Phenomenology

By Guy Madison. 2006

217 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Music, Social Psychology

View Paper: https://www.semanticscholar.org/paper/b3d5870274960a1e51523e394cafd5d06c9b657f

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Michael J. Hove
2. Jan Stupacher
3. Matthew E. P. Davies
4. Pedro Silva
5. Fabien Gouyon
6. Guy Madison
7. Scott S. Wiltermuth

In Music

1. Michael J. Hove
2. Jan Stupacher
3. Matthew E. P. Davies
4. Pedro Silva
5. Fabien Gouyon
6. Guy Madison

In Social Psychology

1. Michael J. Hove
2. Jan Stupacher
3. Matthew E. P. Davies
4. Pedro Silva
5. Fabien Gouyon
6. Scott S. Wiltermuth

Citations in the corpus

• THE EFFECT OF MICROTIMING DEVIATIONS ON THE PERCEPTION OF GROOVE IN SHORT RHYTHMS (2013, methodology): “This tendency for participants to rate the purely percussion examples at the lower end of the scale in the Janata et al. experiment (2012) was not found in Madison (2006).”
• Audio Features Underlying Perceived Groove and Sensorimotor Synchronization in Music (2016, methodology): “Furthermore, the notion of, “wanting to move to music,” was used to define groove in experiments (e.g., Madison, 2006), and was the most common description of groove given by participants (Janata, Tomic, & Haberman, 2012).”