Recognizing emotion from dance movement: comparison of spectator recognition and automated techniques
By Antonio Camurri, Ingrid Lagerlöf, Gualtiero Volpe. Int. J. Hum. Comput. Stud., 2003
439 citations recorded by the source corpus.
Subfields: Computer Vision and Pattern Recognition, Control and Systems Engineering
View Paper: https://www.semanticscholar.org/paper/a56e71f4fec7ad97e00989902ec9c77ed1a708a7
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Computer Vision and Pattern Recognition
- Loïc Kessous
- George Caridakis
- Ginevra Castellano
- Björn Schuller
- Catherine J. Stevens
- Erik Marchi
- M. Broughton
- Antonio Camurri
In Control and Systems Engineering
Citations in the corpus
- Emotion Recognition through Multiple Modalities: Face, Body Gesture, Speech (2008, methodology): “Facial expressions [12] [13], vocal features [14] [15], body movements and postures [16] [17] [18], physiological signals [19] have been used as inputs during these attempts, while multimodal emotion recognition is currently gaining ground [20] [21] [22].”
- An investigation of the ‘female camouflage effect’ in autism using a computerized ADOS-2 and a test of sex/gender differences (2016, background): “The gesture length is related to the way a person occupies the surrounding space with her body (see Laban ’ s personal space [38, 39]) and related to emotion expression and recognition: for example, fear may be characterized by defensive postures (i.e. keeping hands near the trunk or the head) and…”
- Affective Body Expression Perception and Recognition: A Survey (2013, neutral): “Camurri et al. [113], [128] examined cues and features involved in emotion expression KLEINSMITH AND BIANCHI-BERTHOUZE: AFFECTIVE BODY EXPRESSION PERCEPTION AND RECOGNITION: A SURVEY 23 TABLE 3 Automatic Affective Recognition Systems for Body and Multimodal Expressions Gr. truth = Ground truth;…”
- Recognising Human Emotions from Body Movement and Gesture Dynamics (2007, background): “[11] classified expressive gestures in human full-body movement (dance performances).”
- Music, movement and marimba: an investigation of the role of movement and gesture in communicating musical expression to an audience (2009, background): “Dahl and Friberg (2004) found that observers were, for the most part, able to correctly identify a marimba player’s different emotional expressive intentions when viewing (audiovisual) video recordings of the performances showing different parts of the performer’s body.”