Dimensions in appreciation of car interior design

By Helmut Leder, Claus-Christian Carbon. 2005

191 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Social Psychology

View Paper: https://www.semanticscholar.org/paper/9c27c579bef129f6a3e1125c4028b71c32e19a6d

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Marco Bertamini
2. Letizia Palumbo
3. Maital Neta
4. Moshe Bar
5. Javier A. Bargas-Avila
6. Klaus Opwis
7. Alexandre N. Tuch
8. Manfred Thüring

In Experimental and Cognitive Psychology

1. Moshe Bar
2. Javier A. Bargas-Avila
3. Klaus Opwis
4. Alexandre N. Tuch
5. Marco Bertamini
6. Manfred Thüring
7. Eva E. Presslaber
8. Markus Karl Stöcklin

In Social Psychology

1. Marco Bertamini
2. Letizia Palumbo
3. Javier A. Bargas-Avila
4. Klaus Opwis
5. Alexandre N. Tuch
6. Moshe Bar
7. Manfred Thüring
8. Eva E. Presslaber

Citations in the corpus

• The role of visual complexity and prototypicality regarding first impression of websites: Working towards understanding aesthetic judgments (2012, methodology): “The influence of visual appearance on human judgments has also been researched for other topics such as for instance architecture (Akalin et al., 2009), car design (Leder and Carbon, 2005), software interfaces (Saadé and Otrakji, 2007), and websites (Lindgaard et al., 2006).”
• Usability, aesthetics and emotions in human–technology interaction (2007, methodology): “…of influencing the perception of non-instrumental qualities, we manipulated the visual aesthetics by focusing on design dimensions derived from Leder and Carbon (2005) as well as Han, Kim, Yun, Hong, and Kim (2004): symmetry (high or low), colour combination (high or low colour differences),…”
• Effects of Novelty and Its Dimensions on Aesthetic Preference in Product Design (2012, background): “A possible factor influencing the perception of trendiness might be familiarity resulting from repeated exposure, as discussed in Leder and Carbon (2005).”
• Humans Prefer Curved Visual Objects (2006, background): “For example, research on car interior design suggests that curved designs are preferred to straight designs, and that curvature elicits increased positive emotions (Leder & Carbon, 2005).”
• The Curvature Effect (2016, methodology): “For example, Bertamini et al. (2015) used mainly rating scales of liking; Leder and Carbon (2005) also used a rating scale measuring attractiveness.”