Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners 1

By L. Balkwill, William Forde Thompson, Rie Matsunaga. 2004

228 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computational Mechanics, Music

View Paper: https://www.semanticscholar.org/paper/96b98c110da7e7f0c9c0c6f98217d0575041630f

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. E. G. Schellenberg
2. Tuomas Eerola
3. Swathi Swaminathan
4. Patrick G. Hunter
5. William Forde Thompson
6. Frank A. Russo
7. Sachiko Tamoto
8. T. Nakata

In Computational Mechanics

1. Tuomas Eerola

In Music

1. E. G. Schellenberg
2. William Forde Thompson
3. Tuomas Eerola
4. Frank A. Russo
5. Patrick G. Hunter
6. Swathi Swaminathan
7. Jonna Vuoskoski

Citations in the corpus

• Audio-visual integration of emotional cues in song (2008, background): “The findings contribute to a growing body of research on the relation between music and emotion (see Juslin & Sloboda, 2001, for reviews) and the processes by which people decode emotional cues arising from music ( Balkwill, Thompson, & Matsunaga, 2004; Ilie & Thompson, 2006).”
• Current Emotion Research in Music Psychology (2015, background): “Indeed, listeners are better at perceiving emotions conveyed in the music of their own culture than in unfamiliar music (Balkwill et al., 2004; Fritz et al., 2009; Laukka et al., 2013).”
• Mixed affective responses to music with conflicting cues (2008, unknown): “These associations are evident across musical cultures (Balkwill & Thompson, 1999 ; Balkwill, Thompson, & Matsunaga, 2004 ).”
• Exposure to music and cognitive performance: tests of children and adults (2007, background): “As such, listeners can use tempo (but not mode) to decode the emotions conveyed by music from foreign cultures (Balkwill and Thompson, 1999; Balkwill et al., 2004).”
• Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres (2011, background): “…for other emotions, such as anger, fear, tenderness and peacefulness, whether they are represented as discrete emotions (Bresin & Friberg, 2000; Balkwill et al., 2004; Vieillard et al., 2008), or on a dimensional model of emotion (e.g. Ilie & Thompson, 2006; Livingstone, Muhlberger, Brown, &…”
• Seeing music performance: Visual influences on perception and experience (2005, background): “Emotional meaning can even be understood in unfamiliar music from other cultures (Balkwill and Thompson 1999; Balkwill et al. 2004) and many acoustic cues observed in music are also observed in speech (Balkwill and Thompson n.”