Perceiving temporal regularity in music

By Edward W. Large, Caroline Palmer. Cognitive Sciences, 2002

389 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Signal Processing

View Paper: https://www.semanticscholar.org/paper/9375069eb304246d4e6bf4ae3a49dbed7db783c9

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Citations in the corpus

Distal prosodic context affects word segmentation and lexical processing (2008, background): “quire explicit stimulus markers in order to persist to influence the processing of later sequence elements; thus, a missing (silent) element that is introduced into a rhythmic sequence is perceived as an unaccented element or ‘silent beat’ in both music and language (Large & Jones, 1999; Large & Pa”
When the brain plays music: auditory–motor interactions in music perception and production (2007, background): “In feedforward interactions, it is the auditory system that predominately influences the motor output, often in an predictive manne”
Differential Brain Response to Metrical Accents in Isochronous Auditory Sequences (2005, background): “One of the theories addressing this issue is the dynamic attending theory postulated by M. R. Jones (Drake, Jones & Baruch, 2000; Jones & Boltz, 1989; Large & Jones, 1999; Large & Palmer, 2002).”
Individual differences in rhythmic ability: Behavioral and neuroimaging investigations. (2012, background): “In auditory rhythms, we often spontaneously perceive an underlying beat, or a perceived pulse that marks equally spaced points in time (Large & Palmer, 2002; Nettl, 2000).”
Tempo and Rhythm (2010, methodology): “A basic response to music is to clap, tap, or move the body in time in a periodic fashion with a perceived pulse or beat (Parncutt 1994; Snyder and Krumhansl 2001; Temperley 2001; Large and Palmer 2002).”
Finding the beat: a neural perspective across humans and non-human primates (2015, background): “Beat perception is a cognitive ability that allows the detection of a regular pulse (or beat) in music and permits synchronous responding to this pulse during dancing and musical ensemble playing [1,2].”