When the brain plays music: auditory–motor interactions in music perception and production

By Robert J. Zatorre, Joyce L. Chen, Virginia B. Penhune. Nature Reviews Neuroscience, 2007

1,594 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Social Psychology

View Paper: https://www.semanticscholar.org/paper/43d75699788aeaf3a47fd0997d187e84e5f7b6a4

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Citations in the corpus

Musical training as a framework for brain plasticity: behavior, function, and structure. (2012, background): “…and had established a representation of the key-sound mapping; the ventral part, which is typically involved in more direct sensory-motor mapping (Zatorre et al., 2007), showed decreased activity over the course of the training, in particular for the specific trained sequence, indicating its…”
Synchrony as an Adaptive Mechanism for Large-Scale Human Social Bonding (2016, neutral): “…are thought to be linked via self-other coupling it is feasible that musical sounds, by virtue of the identification of agency, and musical rhythm (Zatorre et al. 2007; which engages motor regions of the brain: Chen et al. 2008) leads to some imagined protosocial experience, and this has some…”
Robustness (2020, neutral): “In the minds of most statisticians this translates into a need for using efﬁcient statistical procedures .”
Multisensory Stimulation in Stroke Rehabilitation (2012, background): “Listening to rhythm activates motor and premotor cortices (Zatorre et al., 2007; Chen et al., 2008; Bengtsson et al., 2009), and rhythmic auditory stimulation and musical motor feedback can improve gait and arm training (Schauer and Mauritz, 2003; Thaut et al.”
Music training for the development of auditory skills (2010, background): “jpg"/> Through years of sensory-motor training, often beginning in early childhood, musicians develop an expertise in their instrument or mastery over their voic”
The evolutionary neuroscience of musical beat perception: the Action Simulation for Auditory Prediction (ASAP) hypothesis (2013, background): “Zatorre et al. (2007) have suggested that auditory-premotor interactions in particular underlie the temporal predictions involved in rhythm perception.”
The ADaptation and Anticipation Model (ADAM) of sensorimotor synchronization (2013, background): “The rationale behind using multimodal displays is that they exploit the benefits of auditory-motor coupling (Zatorre et al., 2007) as well as the tendency for visual depictions of biological motion to induce movement tendencies in an observer (Saygin et al.”
Neuroaesthetics and beyond: new horizons in applying the science of the brain to the art of dance (2012, background): “For such reasons, in recent years, philosophers, physicists, engineers, and biologists who study the brain have increasingly been interested to a scientific approach to the study of aesthetics in a number of domains, giving rise to the emerging field of neuroaesthetics (e.g., Fritz et al. 2009; Jaco”
Finding the beat: a neural perspective across humans and non-human primates (2015, background): “Thus, although rhythmic entrainment is a complex phenomenon that depends on a dynamic interaction between the auditory and motor systems in the brain [7,8], it emerges very early in development without special training [9].”
Music expertise shapes audiovisual temporal integration windows for speech, sinewave speech, and music (2014, background): “Alternatively, it may reflect plasticity induced by long-term musical training (Munte, 2002; Zatorre et al., 2007).”
Musical Training Shapes Structural Brain Development (2009, neutral): “, 2008), and multimodal integration areas (Münte et al., 2001; Sluming et al., 2002, 2007; Gaser and Schlaug, 2003a; Lotze et al., 2003; Bangert and Schlaug, 2006; Zatorre et al., 2007).”
Speech and music recruit frequency-specific distributed and overlapping cortical networks (2024, background): “81 82 These simple melodies mainly induce pitch processing in associative auditory regions (Griﬃths et al., 2010) but do not recruit the entire dual-stream auditory pathways (Zatorre et al., 2007) .”