A study of visual fatigue and visual comfort for 3D HDTV/HDTV images
By S. Yano, S. Ide, T. Mitsuhashi, H. Thwaites. 2002
341 citations recorded by the source corpus.
Subfields: Computer Vision and Pattern Recognition, Media Technology, Human-Computer Interaction
View Paper: https://www.semanticscholar.org/paper/90387956c53c1d23e2741a7b111fc099b80709ff
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Computer Vision and Pattern Recognition
- Peter Alan Howarth
- Kazuhiko Ukai
- Alexandre Benoit
- Patrizio Campisi
- P. Le Callet
- Romain Cousseau
- Wa James Tam
- W. Ijsselsteijn
In Media Technology
- Peter Alan Howarth
- Kazuhiko Ukai
- Alexandre Benoit
- W. Ijsselsteijn
- Weisi Lin
- C.-C. Jay Kuo
- A. Bovik
- Che-Chun Su
In Human-Computer Interaction
Citations in the corpus
- Quality Assessment of Stereoscopic Images (2008, background): “One of the most well known effects is related to visual fatigue and visual discomfort [11, 30, 31].”
- Visual fatigue caused by viewing stereoscopic motion images: Background, theories, and observations (2008, methodology): “[55] have measured visual fatigue using a subjective method and compared it to changes in accommodation before and after viewing images by stereoscopic HDTV.”
- A survey of perceptual evaluations and requirements of three-dimensional TV (2004, background): “D TV by IJsselsteijn et al. [53] to continuously assess observers’ sense of presence, depth, and naturalness, and more recently by Yano et al. [54]”
- The zone of comfort: Predicting visual discomfort with stereo displays (2011, neutral): “…in support of this hypothesis is that viewers report more discomfort and fatigue when viewing stereo displays than when viewing conventional non-stereo displays (Emoto et al., 2005; Häkkinen et al., 2006; Jin, Zhang, Wang, & Plocher, 2007; Yamazaki, Kamijo, & Fukuzumi, 1990; Yano et al., 2002).”
- Stereoscopic 3D-TV: Visual Comfort (2011, methodology): “[15] who examined the visual comfort of HD sequences using both subjective and objective methodologies.”