Social Economy of the Metropolis: Cognitive-Cultural Capitalism and the Global Resurgence of Cities

By A. Scott. 2008

248 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/8ea5b420d16af20e94e767c4e7b8f5e1a0b67e88

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

1. Justin O'Connor
2. C. Grodach
3. A. Pratt
4. T. Hutton
5. Xin Gu
6. K. O'Connor
7. Richard Shearmur
8. A. Scott

Citations in the corpus

• Cultural economy planning in creative cities: Discourse and practice (2013, background): “Cultural Industries Model This model focuses on the functional characteristics of the commercial cultural industries (Hesmondhalgh, 2007; Pratt, 2005; Scott, 2000, 2008).”
• Creative industry clusters in Shanghai: a success story? (2014, background): “This has potentially serious social cohesion consequences that we cannot discuss here (cf. Scott 2008).”
• Are cities the font of innovation? A critical review of the literature on cities and innovation (2012, background): “…devised to tackle specifically urban issues (such as the rising urban inequalities brought about by high remunerations for elite innovation workers: see Krätke, 2011; MacCallum, Moulaert, Hillier, & Vicari Haddock, 2009; Scott, 2008), but this type of innovation is not the subject of the essay.”
• Emerging cities of the third wave (2011, background): “…or more recently to terms such as the ‘new economy’ (Beyers, 2003), the ‘knowledge economy’ (e.g. Cooke and Piccaluga, 2006), the ‘creative economy’ (e.g. Franke and Verhagen, 2005), ‘cognitive capitalism’ (e.g. Moulier Boutang, 2007), ‘cognitive–cultural capitalism’ (e.g. Scott, 2008b), and so on.”
• Global city regions and the location of logistics activity (2010, background): “…expanses of contiguous or semi contiguous built-up space. . . surrounded by hinterlands of variable extent (and) marked by ramifying local institutions and an increasingly distinctive political identity, and, concomitantly, by a growing self-assertiveness on the global stage” (Scott 2008, p. 131).”
• Reconceptualising the relationship between the creative economy and the city: Learning from the financial crisis ☆ (2013, background): “Another influential perspective on formative pathways of the creative field, prominently represented by the work of Scott and Storper (2010; Scott, 2008; Storper & Scott, 2009), asserts the enduring saliency of agglomeration, labour markets, and embedded urban-regional cultural endowments and practi”
• Territorial attractiveness in EU urban and spatial policy: a critical review and future research agenda (2012, background): “Furthermore, Scott (2006: 11; see also Scott, 2008: 80–3) argues that Florida ‘fails . . . to articulate the necessary and sufficient conditions under which skilled, qualified, and creative individuals will actually congregate together in particular places and remain there over any reasonably…”
• Art Spaces in Community and Economic Development: Connections to Neighborhoods, Artists, and the Cultural Economy (2011, background): “Increasingly, cultural economic activity is framed within a larger creative economy that, in addition to the arts and culture, may include science, engineering, high technology, and other sectors that require highly educated labor (Florida 2002; Hutton 2009; Scott 2008).”