Being Together in Time: Musical Experience and the Mirror Neuron System
By Katie Overy, Istvan Molnar-Szakacs. 2009
422 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience, Experimental and Cognitive Psychology, Social Psychology
View Paper: https://www.semanticscholar.org/paper/7f1d2a81acf4b0e31435e6e2ed941c3027056e45
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Cognitive Neuroscience
- Joel Krueger
- G. Colombetti
- Tuomas Eerola
- Katharina Schäfer
- Beatriz Ilari
- Sebastian Kirschner
- Andy Clark
- S. Saarikallio
In Experimental and Cognitive Psychology
- Sebastian Kirschner
- Tuomas Eerola
- G. Colombetti
- Andy Clark
- Joel Krueger
- S. Saarikallio
- Beatriz Ilari
In Social Psychology
- Joel Krueger
- G. Colombetti
- Tuomas Eerola
- Katharina Schäfer
- Sebastian Kirschner
- Andy Clark
- S. Saarikallio
- Beatriz Ilari
Citations in the corpus
- Music May Reduce Loneliness and Act as Social Surrogate for a Friend: Evidence from an Experimental Listening Study (2020, background): “Likewise, shared affective motion experience theory claims that music provides company by conveying a sense of the presence, actions, and emotional states of another person (Overy & Molnar-Szakacs, 2009).”
- Whatever next? Predictive brains, situated agents, and the future of cognitive science. (2013, background): “Consider, from this perspective, our many symbol-mediated loops into material culture via notebooks, sketchpads, iphones, and (Pickering and Garrod (2007)) conversations with other agents (and for some intriguing speculations concerning the initial emergence of all those discrete symbols in predicti”
- Joint Drumming in Brazilian and German Preschool Children (2014, background): “We agree with Overy and Molnar-Szakacs (2009) that “imitation, synchronization, and shared experience may be key aspects of human musical behavior” (p. 490), and that in the context of live music making, “sound is perceived not only in terms of the auditory signal, but also in terms of the…”
- Scaffoldings of the affective mind (2015, background): “The act of playing an instrument affects posture and gestures, autonomic activity, and experience (Davidson, 2012; Overy & Molnar-Szakacs, 2009) and influences wellbeing (Croom, 2012).”