Black Atlantic Rhythm: Its Computational and Transcultural Foundations

By Jeff Pressing. 2002

147 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Music

View Paper: https://www.semanticscholar.org/paper/7942538f902cc1470fb36bb2fad6b2a2ec546df7

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Michael J. Hove
2. Jan Stupacher
3. Matthew E. P. Davies
4. Pedro Silva
5. Fabien Gouyon
6. Guy Madison
7. Scott S. Wiltermuth

In Computer Vision and Pattern Recognition

1. Matthew E. P. Davies
2. Guy Madison
3. Pedro Silva
4. Fabien Gouyon
5. Michael J. Hove
6. Jan Stupacher

In Music

1. Michael J. Hove
2. Jan Stupacher
3. Matthew E. P. Davies
4. Pedro Silva
5. Fabien Gouyon
6. Guy Madison

Citations in the corpus

• Audio Features Underlying Perceived Groove and Sensorimotor Synchronization in Music (2016, background): “…the roles of subtle timing deviations (microtiming; participatory discrepancies) between players/instruments (Keil & Feld, 1994; Iyer, 2002; Pressing, 2002), but recent studies failed to find a positive correlation between microtiming and perceived groove (Madison et al., 2011; Davies et…”
• THE EFFECT OF MICROTIMING DEVIATIONS ON THE PERCEPTION OF GROOVE IN SHORT RHYTHMS (2013, background): “Given that people synchronize movement to musical stimuli (Pressing, 2002), in addition to the utilitarian aspect of putting knowledge of groove to some purpose, we are also interested in the fundamental question of the role of groove in music.”