From cultural to creative industries

By N. Garnham. 2005

549 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/70f4234c0b4c484d6f0856b1ea7c31e3c69085dd

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Citations in the corpus

The disappearing arts: creativity and innovation after the creative industries (2009, background): “However, in practice, particularly for policy-makers in economic development and education, this decoupling of creativity from culture, is partial rather than total, with resulting confusion about the relationship between culture, creativity and innovation (Garnham 2005, Pratt and Jeffcut, 2009).”
Social network markets: a new definition of the creative industries (2008, unknown): “2 See, for example, Roodhouse (2001), Florida (2002), Garnham (2005), Hartley (2005: 26–31).”
Creative industries: a new direction? (2009, background): “It is not primarily an extension of Daniel Bell’s ‘knowledge economy’ and its ‘symbolic workers’, as is often argued (Garnham 2005, Pratt 2009) – a charge more applicable to Richard Florida (2005) and John Howkins (2001).”
The New Geography of Work (2008, background): “This paradigm shift has been well documented in accounts of the emergence and international spread of creative industries policy (Garnham, 2005; Hartley, 2004; Hesmondalgh and Pratt, 2005; Huws, 2007; Keane, 2007; Lovink and Rossiter, 2007); the career of the 'creative city' as a recipe for…”
Looking for work in creative industries policy (2009, background): “It is broadly acknowledged that UK and other governments are now seeking more intensively to exploit cultural commodities, intellectual property and the panoply of goods and services underpinning the putatively emergent ‘creative’ or ‘knowledge economy’ (Garnham 2005, Hesmondhalgh 2007).”
Modelling the cultural industries (2008, background): “…UK government has preferred to use the term ‘creative’ industries to describe this grouping, partly to mark a shift in policy away from a focus on the arts and to sidestep possible high-culture connotations of the word ‘cultural’, and partly to widen the scope of industries included (Garnham 2005).”
Unrewarded careers in the creative class: The strange case of bohemian graduates (2010, background): “Similarly, Garnham (2005) questions the shift from cultural industries to creative industries as linked to a new emphasis of the government on intellectual properties and copyright industries, so more on the economic value of culture.”
Creative Industries after the First Decade of Debate (2010, methodology): “Garnham (2005, 20) agues that the shift from cultural to creative industries is opportunistic, “an attempt by the cultural sector and the cultural policy community to share in its relations with the government... the unquestioned prestige that now attach to the information society and to any policy…”
After the creative industries (2009, methodology): “We open with a paper by Stuart Cunningham which takes issue with an earlier intervention made by Nicholas Garnham (2005) in the pages of this journal.”