EXPECTATION IN MELODY: THE INFLUENCE OF CONTEXT AND LEARNING

By Marcus T. Pearce, Geraint A. Wiggins. 2006

296 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Computer Vision and Pattern Recognition, Signal Processing

View Paper: https://www.semanticscholar.org/paper/709e0c530eec95d665e9b77e7e5d4ae063360e89

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Peter Vuust
2. Line Gebauer
3. Elvira Brattico
4. Marcus T. Pearce
5. Morten L. Kringelbach
6. Kent C. Berridge
7. Ruth Feldman
8. E. T. Rolls

In Computer Vision and Pattern Recognition

1. Elvira Brattico
2. Marcus T. Pearce

In Signal Processing

1. Morten L. Kringelbach
2. Peter Vuust
3. Elvira Brattico
4. Line Gebauer
5. Marcus T. Pearce

Citations in the corpus

• Ever-changing cycles of musical pleasure: The role of dopamine and anticipation. (2012, background): “The structure of music is highly repetitive and governed by statistical regularities (Loui et al., 2010; Pearce, Ruiz, Kapasi, Wiggins, & Bhattacharya, 2010; Pearce & Wiggins, 2006; Saffran, Aslin, & Newport, 1996; Saffran, Johnson, Aslin, & Newport, 1999).”
• The neuroaesthetics of music. (2013, background): “…models of the next element in a musical sequence given the preceding context both at psychological (Huron, 2006; Meyer, 1957; Oram & Cuddy, 1995; Pearce & Wiggins, 2006; Tillmann, Bharucha, & Bigand, 2000) and neural levels (Loui, Wu, Wessel, & Knight, 2009; Kim, Kim, & Chung, 2011; Pearce,…”