Is Recognition of Emotion in Music Performance an Aspect of Emotional Intelligence

By Joel E. Resnicow, Peter Salovey, Bruno H. Repp. 2004

108 citations recorded by the source corpus.

View Paper: https://www.semanticscholar.org/paper/7039f91bfe8ef7f2f959ec5693a6569b4c3e744a

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

1. Petri Laukka
2. Patrik Juslin
3. Tuomas Eerola
4. Simon Liljeström
5. William Forde Thompson
6. A. Lamont
7. Jonna Vuoskoski
8. Steven R. Livingstone

Citations in the corpus

• Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening (2004, background): “That musical training is not required to perceive emotions in music (e.g., Juslin, 1997a) suggests that general mechanisms of emotion perception might be involved, a hypothesis that is supported by the finding that abilities to recognize discrete emotions in music are correlated with measures of “Em”