Psychology of Aesthetics, Creativity, and the Arts
By Helmut Leder, Gernot Gerger, Stefan G. Dressler, A. Schabmann. 2011
453 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/6db9249d5588886eb6c543197157bfbffe1e39f3
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- D. Johnson
- Roger E. Beaty
- Dean Keith Simonton
- C. Barona
- Paul J Silvia
- James C. Kaufman
- Emily C. Nusbaum
- Maciej Karwowski
Citations in the corpus
- Do People Prefer Curved Objects? Angularity, Expertise, and Aesthetic Preference (2009, methodology): “We presented 18 images from Wilson and Chatterjee’s (2005) Preference for Balance Test: 9 arrays of circles and 9 arrays of hexagons.”
- Taking the U.S. Patent Office Criteria Seriously: A Quantitative Three-Criterion Creativity Definition and Its Implications (2012, background): “How can a variant with a low probability be considered sighted if it has a high utility? Truly sighted thought trials must have probabilities that positively correlate with their utilities (Simonton, 2012).”
- Automating creativity assessment with SemDis: An open platform for computing semantic distance (2020, methodology): “Creative self-concept The Short Scale of Creative Self (SSCS; Karwowski, 2014) assessed creative self-perceptions.”
- Possibility thinking: culminative studies of an evidence-based concept driving creativity? (2013, unknown): “In Phase 1 of the earlier PT work, with younger children (Burnard et al. 2006), the characteristics of PT had been characterised in terms of process, outcome and a mix of both, as follows in Figure 4.”