Ways of Listening: An Ecological Approach to the Perception of Musical Meaning

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How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

Formulating a Revised Taxonomy for Modes of Listening (2012, neutral): “Clarke (2005) and Leman (2008a) have utilized this kind of theoretical approach to explore the ecology of musical meaning.”
Doing things with music (2011, background): “Beyond this, affordances are “action consequences of encountering perceptual information in the world” (Clarke 2005, p. 38).”
The neuroaesthetics of music. (2013, background): “1037/a0031827 Clarke, E. (2005). Ways of listening: An ecological approach to the perception of musical meaning.”
Musical creativity and the embodied mind (2018, background): “This is developed by Clarke (2005b), for example, who considers a range of ways musical listening involves the imagination, and how listeners actively bring together a range of situated, personal, bodily, historical and socio-cultural factors to make sense of a given musical experience.”
Playing together without communicating? A pre-reflective and enactive account of joint musical performance (2015, background): “…on mental and physiological processes taken autonomously, or seen as only causally related (as in every inputoutput framework) will provide us with unsatisfactory models to account for the complex, embodied dynamicity of musical experience (Clarke, 2005; McGuiness & Overy, 2011; Reybrouck, 2006).”