Embodied Music Cognition and Mediation Technology
By Marc Leman. 2007
513 citations recorded by the source corpus.
View Paper: https://www.semanticscholar.org/paper/48519d37daf1e661a8926d55861fea215e807455
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
- Katharina Schäfer
- Tuomas Eerola
- Rolf Inge Godøy
- Alexander Refsum Jensenius
- S. Saarikallio
- Pieter-Jan Maes
- M. Wanderley
- Aaron L. Berkowitz
Citations in the corpus
- Music May Reduce Loneliness and Act as Social Surrogate for a Friend: Evidence from an Experimental Listening Study (2020, background): “, 2015), which would make it a valuable resource for individuals struggling with empathic skills (Leman, 2007).”
- The Role of Embodiment in the Perception of Music (2015, background): “However, it is only recently, and thanks to novel technologies that facilitated the recording of human movement, that embodiment has become a leading research paradigm in musicology (Leman, 2007).”
- Musical Gestures: concepts and methods in research (2010, background): “The objective or intrinsic level has a focus on the conditions for gesture generation, such as various biomechanical and motor control constraints (see Chapter 9).”
- The improvising mind: Cognition and creativity in the musical moment (2010, background): “Importantly, readers interested in the embodied dimensions of music cognition (e.g. Leman, 2008) and musical improvisation (e.g. Iyer, 2004) may be disappointed by Berkowitz’s definition, since is lacks reference to the active role of the human body in musical processing.”