“Cultural Industries” in Sweden: An Assessment of their Place in the Swedish Economy*

By D. Power. 2002

176 citations recorded by the source corpus.

Subfields: Sociology and Political Science, Urban Studies

View Paper: https://www.semanticscholar.org/paper/456a40ee066ad346684bbcc93fb82568742251b5

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Sociology and Political Science

1. H. Bathelt
2. Nancy Ettlinger
3. A. Markusen
4. Jeff Boggs
5. Heiner Depner
6. Hiro Izushi
7. Yuko Aoyama
8. A. Scott

In Urban Studies

1. H. Bathelt
2. A. Scott
3. Nancy Ettlinger
4. D. DeNatale
5. Gregory Wassall
6. Randy Cohen
7. A. Markusen
8. Jeff Boggs

Citations in the corpus

• Toward a Reconceptualization of Regional Development Paths: Is Leipzig’s Media Cluster a Continuation of or a Rupture with the Past? (2003, background): “2 This article deals with a subset of cultural products industries that have been a site of intense geographical exploration from numerous perspectives for more than a decade (Storper and Christopherson 1987; Lash and Urry 1994; Scott 1996; Crewe 1996; Pratt 1997; Leyshon, Matless, and Revill 1998; ”
• Cultural Industries: Product–Market Characteristics, Management Challenges and Industry Dynamics (2015, unknown): “Such goods offer a low level of utilitarian value, and a high level of aesthetic (Hirsch 1972; Power 2002), symbolic (DeFillippi et al. 2007; Throsby 2001), social meaning (Markusen et al. 2008) and social display value (Bourdieu 1984; Scott 1999a).”
• Cultural-Products Industries and Urban Economic Development (2004, background): “Pratt (1997), for example, has shown that for the case of Britain in 1991, a little less than 1 million workers (4.”
• Placing the Creative Economy: Scale, Politics, and the Material (2006, background): “Indeed, a number of studies have highlighted the economic significance of creative (or c̀ultural') industries in late capitalism, documenting their contribution to employment, value-added production, and exports (Markusen and Schrock, 2006; Power, 2002; Pratt, 1997).”
• Defining the Creative Economy: Industry and Occupational Approaches (2008, background): “Second, beginning in the 1990s, British and American sociologists, geographers, and economists began to explore cultural industries, a set of sectors that cut across manufacturing and service industries, as a unique and growing phenomenon in regional and national economies (Chartrand, 2000; Hesmondh”
• Cultural economic geography and a relational and microspace approach to trusts, rationalities, networks, and change in collaborative workplaces (2003, background): “…in which particular industries are distinguished as ‘cultural’ (e.g. film, music, art, fashion, design) because they commodify culture, are characterized by a high degree of creativity or innovativeness, and/or production entails emotional input (e.g. Lash and Urry, 1994; Scott, 2000; Power, 2002).”
• Industry Evolution and Cross-Sectoral Skill Transfers: A Comparative Analysis of the Video Game Industry in Japan, the United States, and the United Kingdom (2006, background): “Research in economic geography on creative industries suggests a role for agglomerations and clusters (Bathelt and Boggs, 2003; Power, 2002; Power and Scott, 2004; Pratt, 1997a; 1997b) in shaping specialised labour markets and in developing a social division of labour within them (Christopherson…”
• Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006, background): “These cultural-products sectors represent a major and rapidly growing share of employment and output in the new economy (Power 2002; Pratt 1997; Scott 2000), and they are the core elements of a rapidly widening system of designintensive production in contemporary capitalism.”
• Cultural economy and the creative field of the city (2010, background): “…in recent years about the precise definition of the cultural (or creative) economy and its sectoral and occupational composition (Pratt 1997; Power 2002; Markusen et al. 2008). this inconclusiveness is scarcely surprising in view of the circumstance that no hard and fast line can be drawn…”
• Exporting the German Model: The Establishment of a New Automobile Industry Cluster in Shanghai (2005, background): “There are examples that show how this conclusion can be misleading (e.g., Lundequist and Power 2002).”