“Knock! Knock! Who is it?” probabilistic person identification in TV-series
By Makarand Tapaswi, Martin Bäuml, Rainer Stiefelhagen. 2012
145 citations recorded by the source corpus.
Subfields: Computer Vision and Pattern Recognition
How researchers see this paper
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In Computer Vision and Pattern Recognition
- Luc Van Gool
- Andrew Zisserman
- Dacheng Tao
- Trevor Darrell
- Cordelia Schmid
- Bernt Schiele
- Xiaogang Wang
- Jitendra Malik
Citations in the corpus
- End-to-End Learning of Visual Representations From Uncurated Instructional Videos (2019, methodology): “Examples of such methods include learning of person names from image captions or video scripts [3, 10, 35, 37].”
- Movie Description (2016, methodology): “Another line of work (Cour et al. 2009; Everingham et al. 2006; Ramanathan et al. 2014; Sivic et al. 2009; Tapaswi et al. 2012) proposed datasets for character identification targeting TV shows.”
- A dataset for Movie Description (2015, background): “Their corpus is based on the original sources to create the DVS and contains different kinds of artifacts not present in actual description, such as dialogs and production notes.”
- Beyond frontal faces: Improving Person Recognition using multiple cues (2015, methodology): “Tapaswi et al. [33] proposed a Markov Random Field (MRF) method to combine face recognition and clothing features and they tried to name all the appearance of characters in TV series including non frontal face appearance.”
- Learnable PINs: Cross-Modal Embeddings for Person Identity (2018, methodology): “Recently there has been a growing interest in the use of the audio-track to aid identification [7, 30, 40] which comes for free with multimedia videos.”
- Aligning plot synopses to videos for story-based retrieval (2015, methodology): “Instead of nearest-neighbour matching like in [14], we use tracks as weakly labeled training data and train second order polynomial kernel SVM classifiers for each character in a 1-vs-all fashion [42].”
- Finding Actors and Actions in Movies (2013, methodology): “Previous work has explored video scripts to learn and automatically annotate characters in TV series [6, 22, 23].”
- It ’ s in the bag : Stronger supervision for automated face labelling (2015, methodology): “This topic has received plenty of attention in the community and papers have investigated the problem under various assumptions on the available information [2, 3, 5, 4, 6, 8, 9, 12, 17, 18, 20, 22, 24].”
- Condensed Movies: Story Based Retrieval with Contextual Embeddings (2020, background): “Early works, however, focused on using film and TV to learn human identity [21,22,23,24,25,26] or human actions [27,28,29,30,31] from the scripts or captions accompanying movies.”
- CoDeL: A Human Co-detection and Labeling Framework (2013, background): “Another stream of human identity identification [18, 21] is to handle videos via trackers.”
- Who's that Actor? Automatic Labelling of Actors in TV Series Starting from IMDB Images (2016, background): “In the absence of transcripts, [2,3,4] use supervision from hand-labelled ground-truth for some of the video data.”
- Linking People in Videos with "Their" Names Using Coreference Resolution (2014, background): “Pioneering works such as [11, 37, 7, 38, 4, 6] sidestep this challenge by only using proper names in scripts, ignoring pronouns and nominals.”
- Learning from Video and Text via Large-Scale Discriminative Clustering (2017, methodology): “Examples of such methods include learning of person names from image captions or video scripts [3, 10, 36, 38].”
- MovieNet: A Holistic Dataset for Movie Understanding (2020, background): “For example, [22,65,3] take several episodes from TV series for character identification, [39] uses clips from twelve movies for action recognition, and [49] exploits scene segmentation with only three movies.”