Condensed Movies: Story Based Retrieval with Contextual Embeddings
By Max Bain, Arsha Nagrani, A. Brown, Andrew Zisserman. 2020
127 citations recorded by the source corpus.
Our objective in this work is the long range understanding of the narrative structure of movies. Instead of considering the entire movie, we propose to learn from the key scenes of the movie, providing a condensed look at the full storyline. To this end, we make the following four contributions: (i) We create the Condensed Movie Dataset (CMD) consisting of the key scenes from over 3K movies: each key scene is accompanied by a high level semantic description of the scene, character face tracks, and metadata about the movie. Our dataset is scalable, obtained automatically from YouTube, and is freely available for anybody to download and use. It is also an order of magnitude larger than existing movie datasets in the number of movies; (ii) We introduce a new story-based text-to-video retrieval task on this dataset that requires a high level understanding of the plotline; (iii) We provide a deep network baseline for this task on our dataset, combining character, speech and visual cues into a single video embedding; and finally (iv) We demonstrate how the addition of context (both past and future) improves retrieval performance.
Subfields: Computer Vision and Pattern Recognition, Information Retrieval & Search
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Computer Vision and Pattern Recognition
- Arsha Nagrani
- Andrew Zisserman
- Luc Van Gool
- Cordelia Schmid
- Yu Qiao
- Kristen Grauman
- Jitendra Malik
- Gul Varol
In Information Retrieval & Search
- Andrew Zisserman
- Ondřej Chum
- Josef Sivic
- Herv'e J'egou
- Li Fei-Fei
- Matthijs Douze
- Giorgos Tolias
- Jiri Matas
Citations in the corpus
- Frozen in Time: A Joint Video and Image Encoder for End-to-End Retrieval (2021, background): “However, their development mostly proceeds on two independent tracks: one for images, with its own architectures, training datasets and benchmarks [25, 29, 52]; and the other for videos with a similar separation of training datasets and benchmarks [3, 5, 24, 46, 65, 70].”