Empathy, Embodiment and Interpersonal Understanding: From Lipps to Schutz

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Playing together without communicating? A pre-reflective and enactive account of joint musical performance (2015, background): “…tradition, as shall become apparent little by little, we do not think that simulation is the best way to account for musical interaction (see criticisms of simulation in Zahavi, 2010; Zahavi & Overgaard, 2012, and the positive counter-proposal in Gallagher, 2008; Gallagher & Zahavi, 2008).”
Seeing mind in action (2012, background): “Within this literature, DP is often framed as a kind of empathy—an experientially direct person-to-person access—that underwrites more sophisticated higher-order forms of mindreading including theorizing and imaginative simulation (see Thompson 2001; Zahavi 2010).2 This paper has two primary aims.”
Phenomenology as a Form of Empathy (2012, background): “Scheler (e.g., 1954, p. 8) advocates such a position, although he does not refer to the relevant achievement as “empathy” (Zahavi, 2010).”