SOUNDS OF SEX AND DEATH IN THE SEA: BOTTLENOSE DOLPHIN WHISTLES SUPPRESS MATING CHORUSES OF SILVER PERCH
By Joseph J. Luczkovich, H. Daniel, M. Hutchinson, Todd Jenkins, Stephen E Johnson, R. C. Pullinger, M. Sprague. 2000
88 citations recorded by the source corpus.
Subfields: Developmental Biology, Ecology, Oceanography
View Paper: https://www.semanticscholar.org/paper/3921cddfa1dd95ca07ca4b19026c02e99fb8ec87
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Developmental Biology
- Antoni Lombarte
- A. Radford
- A. Cruz
- Stephen D. Simpson
- Stephen E Johnson
- A. Popper
- Joseph J. Luczkovich
- J. Ramcharitar
In Ecology
- Antoni Lombarte
- A. Radford
- A. Cruz
- Stephen D. Simpson
- J. Ramcharitar
- A. Popper
- Joseph J. Luczkovich
- E. Kerridge
In Oceanography
Citations in the corpus
- Bioacoustics of Fishes of the Family Sciaenidae (Croakers and Drums) (2006, background): “Luczkovich et al. (2000) found evidence that chorusing male silver perch detect dolphins acoustically and alter their behavior in a manner that may allow them to avoid detection by the dolphins.”
- Otolith size and its relationship with colour patterns and sound production (2004, background): “As indicated by Paxton (2000), the otoliths of the Sciaenidae, whose members can produce sounds and who show highly developed intraspecific acoustic communication (Luczkovich et al., 1999, 2000; Holt, 2002), were particularly large.”
- Acoustic communication in a noisy world: can fish compete with anthropogenic noise? (2014, background): “Some fishes are known to be capable of such acoustic flexibility in certain contexts (Luczkovich et al. 2000; Parmentier et al. 2010; Amorim et al. 2011) although this may be less common than evolutionary adaptation.”
- Identifying Sciaenid Critical Spawning Habitats by the Use of Passive Acoustics (2008, methodology): “Here, we discuss use of an automated passive acoustic sampling device (sonobuoy; Luczkovich et al. 2000) to describe the spatial and temporal distribution of sound production in Pamlico Sound.”