How Tweet It Is: A Gendered Analysis of Professional Tennis Players’ Self-Presentation on Twitter
By Katie Lebel, K. Danylchuk. 2012
162 citations recorded by the source corpus.
Subfields: Economics and Econometrics, Gender Studies, Sociology and Political Science
View Paper: https://www.semanticscholar.org/paper/38c911e2ecd60e1de5b2e5abade7caf5884db25a
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Economics and Econometrics
In Gender Studies
- Andrea N. Geurin
- M. Brunette
- N. O'Reilly
- Nripendra P. Rana
- Yogesh Kumar Dwivedi
- Jimmy Sanderson
- Ali Abdallah Alalwan
- Raed Salah Algharabat
In Sociology and Political Science
- Ali Abdallah Alalwan
- Nripendra P. Rana
- Yogesh Kumar Dwivedi
- Raed Salah Algharabat
- Andrea N. Geurin
- M. Brunette
- N. O'Reilly
- Jimmy Sanderson
Citations in the corpus
- Elite Female Athletes’ Perceptions of New Media Use Relating to Their Careers: A Qualitative Analysis (2017, background): “Identified benefits include the opportunities to personally craft one’s public image (Lebel & Danylchuk, 2012; Sanderson, 2008) and to sponsors (Hambrick & Kang, 2014).”
- Social media in marketing: A review and analysis of the existing literature (2017, background): “Gender reflects differences on the users’ preferences towards social media and the promotional activities that are conducted when using such platforms (Lebel and Danylchuk, 2012).”
- Professional Team Sport and Twitter: Gratifications Sought and Obtained by Followers (2014, methodology): “Previous studies have used similar timeline approaches in research related to Twitter (e.g., Lebel & Danylchuk, 2012; Hambrick, 2012) The construction of the survey questions included a review of similar past surveys (Chen, 2011; Clavio, 2008; Clavio & Kian, 2010; Hambrick et al., 2010; Johnson &…”
- I'm Going to Instagram It! An Analysis of Athlete Self-Presentation on Instagram (2015, background): “He discovered that these athletes used Twitter to display a multi-faceted self that extended well beyond the playing surface.”