The Music of Everyday Speech: Prosody and Discourse Analysis
By Ann K. Wennerstrom. 2001
235 citations recorded by the source corpus.
Subfields: Language and Linguistics
View Paper: https://www.semanticscholar.org/paper/34b6b7d3d20a55754ec2d4661c24ba8147eeaf55
How researchers see this paper
The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.
In Language and Linguistics
- P. Trofimovich
- T. Isaacs
- Andrew F. Siegel
- Hanh thi Nguyen
- Kazuya Saito
- G. Woodruff
- Ian Cross
- Haizhou Li
Citations in the corpus
- Expressive TTS Training With Frame and Style Reconstruction Loss (2020, background): “Prosody conveys linguistic, para-linguistic and various types of non-linguistic information, such as speaker identity, intention, attitude and mood [52], [53].”
- Disentangling accent from comprehensibility (2012, background): “(5) Pitch contour, as a measure of intonation accuracy (Wennerstrom, 2001): the number of correct pitch patterns at the end of phrases (i.”
- Rapport Building in Language Instruction: A Microanalysis of the Multiple Resources in Teacher Talk (2007, background): “Higher pitch accent associated with stress has been found to mark new information (Chafe, 1994; Wennerstrom, 2001), so it seems that T is presenting both forms as new.”
- Keeping the Floor in Multiparty Conversations: Intonation, Syntax, and Pause (2003, methodology): “Therefore, we apply a more fine-grained model of intonation (Wennerstrom, 2001) in our analysis than 78 WENNERSTROM AND SIEGEL”
- Music as a communicative medium (2009, background): “Subglottal pressure is highest at the beginning of an utterance and drops gradually as breath is exhaled, resulting in a progressive lowering of pitch known as declination (Ladd, 1984; Wennerstrom, 2001).”