The processing of temporal pitch and melody information in auditory cortex.
By Roy D. Patterson, S. Uppenkamp, Ingrid S. Johnsrude, Timothy D. Griffiths. Neuron, 2002
756 citations recorded by the source corpus.
Subfields: Cognitive Neuroscience
View Paper: https://www.semanticscholar.org/paper/2c3c7c437d9eb02913c83b428e347269a6384583
How researchers see this paper
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In Cognitive Neuroscience
- Robert J. Zatorre
- Joyce L. Chen
- Virginia B. Penhune
- Josef P. Rauschecker
- Sophie K. Scott
- Jackson T. Gandour
- Maximilian Riesenhuber
- Mark A. Chevillet
Citations in the corpus
- Neural specializations for speech and pitch: moving beyond the dichotomies (2008, background): “B (2008) perception of melodies made of iterated ripple noise (Patterson et al. 2002); reproduction of tonal temporal patterns (Penhune et al.”
- Maps and streams in the auditory cortex: nonhuman primates illuminate human speech processing (2009, background): “As in animal models, preferred features of lower-order neurons combine to create selectivity for increasingly complex sound”
- Functional Correlates of the Antero-Lateral Processing Hierarchy in Human Auditory Cortex (2011, background): “However, similar hierarchical organization reflecting temporal complexity has indeed been previously reported (Patterson et al., 2002).”
- When the brain plays music: auditory–motor interactions in music perception and production (2007, background): “The precise nature of this coding becomes less well understood for more distal components of the streams, but patterns of pitches unfolding over time — that is, a melody — are known to engage neural populations in both anterior and posterior auditory pathway”