Anatomically distinct dopamine release during anticipation and experience of peak emotion to music

By Valorie N. Salimpoor, Mitchel Benovoy, K. Larcher, Alain Dagher, Robert J. Zatorre. Nature Neuroscience, 2011

1,666 citations recorded by the source corpus.

Subfields: Cognitive Neuroscience, Music, Social Psychology

View Paper: https://www.semanticscholar.org/paper/263fd95ebfef83dea20b4cbf3b64df8990e605b3

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Cognitive Neuroscience

1. Morten L. Kringelbach
2. Karl J. Friston
3. Kent C. Berridge
4. Giovanni Pezzulo
5. Peter Vuust
6. Francesco Rigoli
7. Line Gebauer
8. Aniruddh D. Patel

In Music

1. Aniruddh D. Patel
2. I. Morrison
3. Robert J. Zatorre
4. Morten L. Kringelbach
5. Peter Vuust
6. Elvira Brattico
7. Line Gebauer
8. Marcus T. Pearce

In Social Psychology

1. Aniruddh D. Patel
2. Sibylle C. Herholz
3. I. Morrison
4. Urbano Lorenzo-Seva
5. Karl J. Friston
6. Giovanni Pezzulo
7. Robert J. Zatorre
8. Morten L. Kringelbach

Citations in the corpus

• Benefits of choral singing for social and mental wellbeing: qualitative findings from a cross‐national survey of choir members (2012, background): “The reporting of ‘‘chills’’, an autonomic emotional response to moving music, particularly surprising dynamic or melodic shifts, is widespread (Sloboda, 1991), and has recently been linked to dopamine release in the striatum region of the brain associated with emotional experience (Salimpoor et al.,”
• Ever-changing cycles of musical pleasure: The role of dopamine and anticipation. (2012, result): “A distinction between the wanting/expectation phase and the peak pleasure part of the liking phase is further corroborated by the finding of different neural responses to the two during music listening (Salimpoor et al., 2011).”
• Why would Musical Training Benefit the Neural Encoding of Speech? The OPERA Hypothesis (2011, background): “First, musical activities are often very enjoyable, reflecting the rich connections between music processing and the emotion systems of the brain (Koelsch, 2010; Salimpoor et al., 2011).”
• Individual Differences in Music Reward Experiences (2013, background): “…as monetary reward)—to be a higher-order pleasure that may require further or different processing than more basic rewards (e.g., sex and food), even though they may share similar brain mechanisms (Berridge & Kringelbach, 2008; Blood & Zatorre, 2001; Menon & Levitin, 2005; Salimpoor et al., 2011).”
• Active inference and epistemic value (2015, methodology): “Interpretations of such data have been made variously in the context of the Incentive Salience Theory and/or in the context of the Reward Prediction Error hypothesis (Gebauer, Kringelbach, & Vuust, 2012; Salimpoor et al., 2011).”
• Pleasure systems in the brain (2015, background): “The same region of orbitofrontal cortex has also been implicated in the encoding pleasures of sexual orgasm, drugs, and music (Georgiadis and Kringelbach, 2012; Kringelbach, 2005; Kringelbach et al., 2003; Salimpoor et al., 2011; Veldhuizen et al., 2010; Vuust and Kringelbach, 2010).”
• The neuroaesthetics of music. (2013, background): “Salimpoor et al. (2011) have recently shown that chills are associated with dopamine release in the ventral striatum and with activation of the nucleus accumbens while the caudate nucleus is activated during anticipation of a passage of music inducing chills.”
• Musical training as a framework for brain plasticity: behavior, function, and structure. (2012, background): “music exposure has been shown to have beneficial effects on memory and mood in post-stroke patients (Särkämö et al., 2008).”
• A visual analytics approach to understanding cycling behaviour (2012, neutral): “For the negative example, only wi f e ( A , C ) is in E ⊥ and its vector is v 2 = ( 0 , 0 , 1 ) .”