The platformization of cultural production: Theorizing the contingent cultural commodity

By David B. Nieborg, Thomas Poell. New Media & Society, 2018

1,082 citations recorded by the source corpus.

Subfields: Sociology and Political Science, Strategy and Management, Urban Studies

View Paper: https://www.semanticscholar.org/paper/fe050fd827af646ba4059fcf7b09feab84b8980f

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

In Sociology and Political Science

1. Fabio Giglietto
2. Jing Zeng
3. Xu Chen
4. Valdovinos Kaye
5. D. Bondy
6. Thomas Poell
7. David B. Nieborg
8. J. Dijck

In Strategy and Management

1. Fabio Giglietto
2. Jing Zeng
3. Xu Chen
4. Valdovinos Kaye
5. D. Bondy
6. Thomas Poell
7. David B. Nieborg

In Urban Studies

1. Fabio Giglietto
2. Jing Zeng
3. Xu Chen
4. Valdovinos Kaye
5. D. Bondy
6. J. Dijck

Citations in the corpus

• Nathaniel Persily e Joshua A. Tucker (a cura di). Social Media and Democracy. The State of the Field, Prospects for Reform (2021, background): “…or service – has revealed how news, like other forms of cultural production, is increasingly contingent on the infrastructure offered by platforms (Nieborg and Poell 2018) and involve them in, for example, data-collection practices that some critics see as fundamentally illiberal in their…”
• Platformisation (2019, background): “…and advertisers (Argentesi & Filistrucchi, 2007), they are increasingly turned into platform complementors offering content to end-users through platforms, such as Facebook, Twitter, and Instagram, who then “monetise” this content by surrounding it with advertisements (Nieborg & Poell, 2018).”
• The co-evolution of two Chinese mobile short video apps: Parallel platformization of Douyin and TikTok (2020, methodology): “Prior research on platformization underlines the impacts of multisided markets (Nieborg, 2015; Nieborg & Poell, 2018) on economic exchanges taking place on platforms.”