The Psychology of Musical Talent

By C. Seashore. 2009

90 citations recorded by the source corpus.

Subfields: Music

View Paper: https://www.semanticscholar.org/paper/fb9f4397fbda7a09c64b6d6b8e4cc6b8adb46545

How researchers see this paper

The researchers whose trusted networks rank it highest, strongest advocate first. Every researcher gets a different order.

1. Britney A. Cirullo
2. William S. Griscom
3. D. Detterman
4. Joanne M. Ruthsatz

Citations in the corpus

• Becoming an expert in the musical domain: It takes more than just practice (2008, background): “Perhaps Seashore (1919) said it best: “It is possible for a person, strong in other capacities, but with relatively low intellectual power, to assume fairly important roles in music within restricted fields of activity; but the great musician is always a person of great intellect”.”
• Psychometric properties and heritability of a new online test for musicality, the Swedish Musical Discrimination Test (2014, unknown): “These are the 'atomistic' tradition of Seashore and the 'omnibus' approach of Wing (Jacobs, 1960; Seashore, 1919, 1938, 1947; Shuter-Dyson & Gabriel, 1981).”